Table Of ContentSebold, Alice: The Lovely Bones
TITLE: The Lovely Bones
AUTHOR: Alice Sebold
PUBLISHER: Picador
COPYRIGHT: ©2002
ISBN: 0 330 48537 7
ABEB Version: 3.0
Created: 2005/6/20 @ 15:8
An mdf Scan & Proofread.
The Lovely Bones
Alice Sebold
Always, Glen
Inside the snow globe on my father's desk, there was a penguin wearing a red-and-white-striped scarf. When I
was little my father would pull me into his lap and reach for the snow globe. He would turn it over, letting all
the snow collect on the top, then quickly invert it. The two of us watched the snow fall gently around the
penguin. The penguin was alone in there, I thought, and I worried for him. When I told my father this, he said,
"Don't worry, Susie; he has a nice life. He's trapped in a perfect world."
One
My name was Salmon, like the fish; first name, Susie. I was fourteen when I was murdered on December 6,
1973. In newspaper photos of missing girls from the seventies, most looked like me: white girls with mousy
brown hair. This was before kids of all races and genders started appearing on milk cartons or in the daily
mail. It was still back when people believed things like that didn't happen.
In my junior high yearbook I had a quote from a Spanish poet my sister had turned me on to, Juan Ramón
Jiménez. It went like this: "If they give you ruled paper, write the other way." I chose it both because it
expressed my contempt for my structured surroundings à la the classroom and because, not being some
dopey quote from a rock group, I thought it marked me as literary. I was a member of the Chess Club and
Chem Club and burned everything I tried to make in Mrs. Delminico's home ec class. My favorite teacher was
Mr. Botte, who taught biology and liked to animate the frogs and crawfish we had to dissect by making them
dance in their waxed pans.
I wasn't killed by Mr. Botte, by the way. Don't think every person you're going to meet in here is suspect.
That's the problem. You never know. Mr. Botte came to my memorial (as, may I add, did almost the entire
junior high school – I was never so popular) and cried quite a bit. He had a sick kid. We all knew this, so
when he laughed at his own jokes, which were rusty way before I had him, we laughed too, forcing it
sometimes just to make him happy. His daughter died a year and a half after I did. She had leukemia, but I
never saw her in my heaven.
My murderer was a man from our neighborhood. My mother liked his border flowers, and my father talked to
him once about fertilizer. My murderer believed in old-fashioned things like eggshells and coffee grounds,
which he said his own mother had used. My father came home smiling, making jokes about how the man's
garden might be beautiful but it would stink to high heaven once a heat wave hit.
But on December 6, 1973, it was snowing, and I took a shortcut through the cornfield back from the junior
high. It was dark out because the days were shorter in winter, and I remember how the broken cornstalks made
my walk more difficult. The snow was falling lightly, like a flurry of small hands, and I was breathing through
my nose until it was running so much that I had to open my mouth. Six feet from where Mr. Harvey stood, I
stuck my tongue out to taste a snowflake.
"Don't let me startle you," Mr. Harvey said.
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Of course, in a cornfield, in the dark, I was startled. After I was dead I thought about how there had been the
light scent of cologne in the air but that I had not been paying attention, or thought it was coming from one of
the houses up ahead.
"Mr. Harvey," I said.
"You're the older Salmon girl, right?"
"Yes."
"How are your folks?"
Although the eldest in my family and good at acing a science quiz, I had never felt comfortable with adults.
"Fine," I said. I was cold, but the natural authority of his age, and the added fact that he was a neighbor and
had talked to my father about fertilizer, rooted me to the spot.
"I've built something back here," he said. "Would you like to see?"
"I'm sort of cold, Mr. Harvey," I said, "and my mom likes me home before dark."
"It's after dark, Susie," he said.
I wish now that I had known this was weird. I had never told him my name. I guess I thought my father had
told him one of the embarrassing anecdotes he saw merely as loving testaments to his children. My father was
the kind of dad who kept a nude photo of you when you were three in the downstairs bathroom, the one that
guests would use. He did this to my little sister, Lindsey, thank God. At least I was spared that indignity. But
he liked to tell a story about how, once Lindsey was born, I was so jealous that one day while he was on the
phone in the other room, I moved down the couch – he could see me from where he stood – and tried to
pee on top of Lindsey in her carrier. This story humiliated me every time he told it, to the pastor of our church,
to our neighbor Mrs. Stead, who was a therapist and whose take on it he wanted to hear, and to everyone who
ever said "Susie has a lot of spunk!"
"Spunk!" my father would say. "Let me tell you about spunk," and he would launch immediately into his
Susie-peed-on-Lindsey story.
But as it turned out, my father had not mentioned us to Mr. Harvey or told him the Susie-peed-on-Lindsey
story.
Mr. Harvey would later say these words to my mother when he ran into her on the street: "I heard about the
horrible, horrible tragedy. What was your daughter's name, again?"
"Susie," my mother said, bracing up under the weight of it, a weight that she naïvely hoped might lighten
someday, not knowing that it would only go on to hurt in new and varied ways for the rest of her life.
Mr. Harvey told her the usual: "I hope they get the bastard. I'm sorry for your loss."
I was in my heaven by that time, fitting my limbs together, and couldn't believe his audacity. "The man has no
shame," I said to Franny, my intake counselor. "Exactly," she said, and made her point as simply as that. There
wasn't a lot of bullshit in my heaven.
Mr. Harvey said it would only take a minute, so I followed him a little farther into the cornfield, where fewer
stalks were broken off because no one used it as a shortcut to the junior high. My mom had told my baby
brother, Buckley, that the corn in the field was inedible when he asked why no one from the neighborhood ate
it. "The corn is for horses, not humans," she said. "Not dogs?" Buckley asked. "No," my mother answered.
"Not dinosaurs?" Buckley asked. And it went like that.
"I've made a little hiding place," said Mr. Harvey.
He stopped and turned to me.
"I don't see anything," I said. I was aware that Mr. Harvey was looking at me strangely. I'd had older men look
at me that way since I'd lost my baby fat, but they usually didn't lose their marbles over me when I was
wearing my royal blue parka and yellow elephant bell-bottoms. His glasses were small and round with gold
frames, and his eyes looked out over them and at me.
"You should be more observant, Susie," he said.
I felt like observing my way out of there, but I didn't. Why didn't I? Franny said these questions were fruitless:
"You didn't and that's that. Don't mull it over. It does no good. You're dead and you have to accept it."
"Try again," Mr. Harvey said, and he squatted down and knocked against the ground.
"What's that?" I asked.
My ears were freezing. I wouldn't wear the multicolored cap with the pompom and jingle bells that my mother
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had made me one Christmas. I had shoved it in the pocket of my parka instead.
I remember that I went over and stomped on the ground near him. It felt harder even than frozen earth, which
was pretty hard.
"It's wood," Mr. Harvey said. "It keeps the entrance from collapsing. Other than that it's all made out of earth."
"What is it?" I asked. I was no longer cold or weirded out by the look he had given me. I was like I was in
science class: I was curious.
"Come and see."
It was awkward to get into, that much he admitted once we were both inside the hole. But I was so amazed by
how he had made a chimney that would draw smoke out if he ever chose to build a fire that the awkwardness
of getting in and out of the hole wasn't even on my mind. You could add to that that escape wasn't a concept I
had any real experience with. The worst I'd had to escape was Artie, a strange-looking kid at school whose
father was a mortician. He liked to pretend he was carrying a needle full of embalming fluid around with him.
On his notebooks he would draw needles spilling dark drips.
"This is neato!" I said to Mr. Harvey. He could have been the hunchback of Notre Dame, whom we had read
about in French class. I didn't care. I completely reverted. I was my brother Buckley on our day-trip to the
Museum of Natural History in New York, where he'd fallen in love with the huge skeletons on display. I
hadn't used the word neato in public since elementary school.
"Like taking candy from a baby," Franny said.
I can still see the hole like it was yesterday, and it was. Life is a perpetual yesterday for us. It was the size of a
small room, the mud room in our house, say, where we kept our boots and slickers and where Mom had
managed to fit a washer and dryer, one on top of the other. I could almost stand up in it, but Mr. Harvey had to
stoop. He'd created a bench along the sides of it by the way he'd dug it out. He immediately sat down.
"Look around," he said.
I stared at it in amazement, the dug-out shelf above him where he had placed matches, a row of batteries, and a
battery-powered fluorescent lamp that cast the only light in the room – an eerie light that would make his
features hard to see when he was on top of me.
There was a mirror on the shelf, and a razor and shaving cream. I thought that was odd. Wouldn't he do that at
home? But I guess I figured that a man who had a perfectly good split-level and then built an underground
room only half a mile away had to be kind of loo-loo. My father had a nice way of describing people like him:
"The man's a character, that's all."
So I guess I was thinking that Mr. Harvey was a character, and I liked the room, and it was warm, and I
wanted to know how he had built it, what the mechanics of the thing were and where he'd learned to do
something like that.
But by the time the Gilberts' dog found my elbow three days later and brought it home with a telling corn husk
attached to it, Mr. Harvey had closed it up. I was in transit during this. I didn't get to see him sweat it out,
remove the wood reinforcement, bag any evidence along with my body parts, except that elbow. By the time I
popped up with enough wherewithal to look down at the goings-on on Earth, I was more concerned with my
family than anything else.
My mother sat on a hard chair by the front door with her mouth open. Her pale face paler than I had ever seen
it. Her blue eyes staring. My father was driven into motion. He wanted to know details and to comb the
cornfield along with the cops. I still thank God for a small detective named Len Fenerman. He assigned two
uniforms to take my dad into town and have him point out all the places I'd hung out with my friends. The
uniforms kept my dad busy in one mall for the whole first day. No one had told Lindsey, who was thirteen and
would have been old enough, or Buckley, who was four and would, to be honest, never fully understand.
Mr. Harvey asked me if I would like a refreshment. That was how he put it. I said I had to go home.
"Be polite and have a Coke," he said. "I'm sure the other kids would."
"What other kids?"
"I built this for the kids in the neighborhood. I thought it could be some sort of clubhouse."
I don't think I believed this even then. I thought he was lying, but I thought it was a pitiful lie. I imagined he
was lonely. We had read about men like him in health class. Men who never married and ate frozen meals
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every night and were so afraid of rejection that they didn't even own pets. I felt sorry for him.
"Okay," I said, "I'll have a Coke."
In a little while he said, "Aren't you warm, Susie? Why don't you take off your parka."
I did.
After this he said, "You're very pretty, Susie."
"Thanks," I said, even though he gave me what my friend Clarissa and I had dubbed the skeevies.
"Do you have a boyfriend?"
"No, Mr. Harvey," I said. I swallowed the rest of my Coke, which was a lot, and said, "I got to go, Mr.
Harvey. This is a cool place, but I have to go."
He stood up and did his hunchback number by the six dug-in steps that led to the world. "I don't know why
you think you're leaving."
I talked so that I would not have to take in this knowledge: Mr. Harvey was no character. He made me feel
skeevy and icky now that he was blocking the door.
"Mr. Harvey, I really have to get home."
"Take off your clothes."
"What?"
"Take your clothes off," Mr. Harvey said. "I want to check that you're still a virgin."
"I am, Mr. Harvey," I said.
"I want to make sure. Your parents will thank me."
"My parents?"
"They only want good girls," he said.
"Mr. Harvey," I said, "please let me leave."
"You aren't leaving, Susie. You're mine now."
Fitness was not a big thing back then; aerobics was barely a word. Girls were supposed to be soft, and only the
girls we suspected were butch could climb the ropes at school.
I fought hard. I fought as hard as I could not to let Mr. Harvey hurt me, but my hard-as-I-could was not hard
enough, not even close, and I was soon lying down on the ground, in the ground, with him on top of me
panting and sweating, having lost his glasses in the struggle.
I was so alive then. I thought it was the worst thing in the world to be lying flat on my back with a sweating
man on top of me. To be trapped inside the earth and have no one know where I was.
I thought of my mother.
My mother would be checking the dial of the clock on her oven. It was a new oven and she loved that it had a
clock on it. "I can time things to the minute," she told her own mother, a mother who couldn't care less about
ovens.
She would be worried, but more angry than worried, at my lateness. As my father pulled into the garage, she
would rush about, fixing him a cocktail, a dry sherry, and put on an exasperated face: "You know junior high,"
she would say. "Maybe it's Spring Fling." "Abigail," my father would say, "how can it be Spring Fling when
it's snowing?" Having failed with this, my mother might rush Buckley into the room and say, "Play with your
father," while she ducked into the kitchen and took a nip of sherry for herself.
Mr. Harvey started to press his lips against mine. They were blubbery and wet and I wanted to scream but I
was too afraid and too exhausted from the fight. I had been kissed once by someone I liked. His name was Ray
and he was Indian. He had an accent and was dark. I wasn't supposed to like him. Clarissa called his large
eyes, with their half-dosed lids, "freak-a-delic," but he was nice and smart and helped me cheat on my algebra
exam while pretending he hadn't. He kissed me by my locker the day before we turned in our photos for the
yearbook. When the yearbook came out at the end of the summer, I saw that under his picture he had answered
the standard "My heart belongs to" with "Susie Salmon." I guess he had had plans. I remember that his lips
were chapped.
"Don't, Mr. Harvey," I managed, and I kept saying that one word a lot. Don't. And I said please a lot too.
Franny told me that almost everyone begged "please" before dying.
"I want you, Susie," he said.
"Please," I said. "Don't," I said. Sometimes I combined them. "Please don't" or "Don't please." It was like
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insisting that a key works when it doesn't or yelling "I've got it, I've got it, I've got it" as a softball goes sailing
over you into the stands.
"Please don't."
But he grew tired of hearing me plead. He reached into the pocket of my parka and balled up the hat my
mother had made me, smashing it into my mouth. The only sound I made after that was the weak tinkling of
bells.
As he kissed his wet lips down my face and neck and then began to shove his hands up under my shirt, I wept.
I began to leave my body; I began to inhabit the air and the silence. I wept and struggled so I would not feel.
He ripped open my pants, not having found the invisible zipper my mother had artfully sewn into their side.
"Big white panties," he said.
I felt huge and bloated. I felt like a sea in which he stood and pissed and shat. I felt the corners of my body
were turning in on themselves and out, like in cat's cradle, which I played with Lindsey just to make her
happy. He started working himself over me.
"Susie! Susie!" I heard my mother calling. "Dinner is ready."
He was inside me. He was grunting.
"We're having string beans and lamb."
I was the mortar, he was the pestle.
"Your brother has a new finger painting, and I made apple crumb cake."
Mr. Harvey made me lie still underneath him and listen to the beating of his heart and the beating of mine.
How mine skipped like a rabbit, and how his thudded, a hammer against cloth. We lay there with our bodies
touching, and, as I shook, a powerful knowledge took hold. He had done this thing to me and I had lived. That
was all. I was still breathing. I heard his heart. I smelled his breath. The dark earth surrounding us smelled like
what it was, moist dirt where worms and animals lived their daily lives. I could have yelled for hours.
I knew he was going to kill me. I did not realize then that I was an animal already dying.
"Why don't you get up?" Mr. Harvey said as he rolled to the side and then crouched over me.
His voice was gentle, encouraging, a lover's voice on a late morning. A suggestion, not a command.
I could not move. I could not get up.
When I would not – was it only that, only that I would not follow his suggestion? – he leaned to the side
and felt, over his head, across the ledge where his razor and shaving cream sat. He brought back a knife.
Unsheathed, it smiled at me, curving up in a grin.
He took the hat from my mouth.
"Tell me you love me," he said.
Gently, I did.
The end came anyway.
Two
When I first entered heaven I thought everyone saw what I saw. That in everyone's heaven there were soccer
goalposts in the distance and lumbering women throwing shot put and javelin. That all the buildings were like
suburban northeast high schools built in the 1960s. Large, squat buildings spread out on dismally landscaped
sandy lots, with overhangs and open spaces to make them feel modern. My favorite part was how the colored
blocks were turquoise and orange, just like the blocks in Fairfax High. Sometimes, on Earth, I had made my
father drive me by Fairfax High so I could imagine myself there.
Following the seventh, eighth, and ninth grades of middle school, high school would have been a fresh start.
When I got to Fairfax High I would insist on being called Suzanne. I would wear my hair feathered or up in a
bun. I would have a body that the boys wanted and the girls envied, but I'd be so nice on top of it all that they
would feel too guilty to do anything but worship me. I liked to think of myself – having reached a sort of
queenly status – as protecting misfit kids in the cafeteria. When someone taunted Clive Saunders for walking
like a girl, I would deliver swift vengeance with my foot to the taunter's less-protected parts. When the boys
teased Phoebe Hart for her sizable breasts, I would give a speech on why boob jokes weren't funny. I had to
forget that I too had made lists in the margins of my notebook when Phoebe walked by: Winnebagos,
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Hoo-has, Johnny Yellows. At the end of my reveries, I sat in the back of the car as my father drove. I was
beyond reproach. I would overtake high school in a matter of days, not years, or, inexplicably, earn an Oscar
for Best Actress during my junior year.
These were my dreams on Earth.
After a few days in heaven, I realized that the javelin-throwers and the shot-putters and the boys who played
basketball on the cracked blacktop were all in their own version of heaven. Theirs just fit with mine – didn't
duplicate it precisely, but had a lot of the same things going on inside.
I met Holly, who became my roommate, on the third day. She was sitting on the swing set. (I didn't question
that a high school had swing sets: that's what made it heaven. And no flat-benched swings – only bucket
seats made out of hard black rubber that cradled you and that you could bounce in a bit before swinging.)
Holly sat reading a book in a weird alphabet that I associated with the pork-fried rice my father brought home
from Hop Fat Kitchen, a place Buckley loved the name of, loved so much he yelled "Hop Fat!" at the top of
his lungs. Now I know Vietnamese, and I know that Vietnamese is not what Herman Jade, who owned Hop
Fat, was, and that Herman Jade was not Herman Jade's real name but one he adopted when he came to the
U.S. from China. Holly taught me all this.
"Hi," I said. "My name is Susie."
Later she would tell me she picked her name from a movie, Breakfast at Tiffany's. But that day it rolled right
off her tongue.
"I'm Holly," she said. Because she wanted no trace of an accent in her heaven, she had none.
I stared at her black hair. It was shiny like the promises in magazines. "How long have you been here?" I
asked.
"Three days."
"Me too."
I sat down on the swing next to her and twisted my body around and around to tie up the chains. Then I let go
and spun until I stopped.
"Do you like it here?" she asked.
"No."
"Me either."
So it began.
We had been given, in our heavens, our simplest dreams. There were no teachers in the school. We never had
to go inside except for art class for me and jazz band for Holly. The boys did not pinch our backsides or tell us
we smelled; our textbooks were Seventeen and Glamour and Vogue.
And our heavens expanded as our relationship grew. We wanted many of the same things.
Franny, my intake counselor, became our guide. Franny was old enough to be our mother – mid-forties –
and it took Holly and me a while to figure out that this had been something we wanted: our mothers.
In Franny's heaven, she served and was rewarded by results and gratitude. On Earth she had been a social
worker for the homeless and destitute. She worked out of a church named Saint Mary's that served meals to
women and children only, and she did everything there from manning the phones to swatting the roaches –
karate-chop style. She was shot in the face by a man looking for his wife.
Franny walked over to Holly and me on the fifth day. She handed us two Dixie Cups of lime Kool-Aid and we
drank. "I'm here to help," she said.
I looked into her small blue eyes surrounded by laugh lines and told her the truth. "We're bored."
Holly was busy trying to reach her tongue out far enough to see if it had turned green.
"What do you want?" Franny asked.
"I don't know," I said.
"All you have to do is desire it, and if you desire it enough and understand why – really know – it will
come."
It seemed so simple and it was. That's how Holly and I got our duplex.
I hated our split-level on Earth. I hated my parents' furniture, and how our house looked out onto another
house and another house and another – an echo of sameness riding up over the hill. Our duplex looked out
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onto a park, and in the distance, just close enough to know we weren't alone, but not too close, we could see
the lights of other houses.
Eventually I began to desire more. What I found strange was how much I desired to know what I had not
known on Earth. I wanted to be allowed to grow up.
"People grow up by living," I said to Franny. "I want to live."
"That's out," she said.
"Can we at least watch the living?" asked Holly.
"You already do," she said.
"I think she means whole lives," I said, "from beginning to end, to see how they did it. To know the secrets.
Then we can pretend better."
"You won't experience it," Franny clarified.
"Thank you, Brain Central," I said, but our heavens began to grow.
There was the high school still, all the Fairfax architecture, but now there were roads leading out.
"Walk the paths," Franny said, "and you'll find what you need." So that's when Holly and I set out. Our heaven
had an ice cream shop where, when you asked for peppermint stick ice cream, no one ever said, "It's
seasonal"; it had a newspaper where our pictures appeared a lot and made us look important; it had real men in
it and beautiful women too, because Holly and I were devoted to fashion magazines. Sometimes Holly seemed
like she wasn't paying attention, and other times she was gone when I went looking for her. That was when she
went to a part of heaven we didn't share. I missed her then, but it was an odd sort of missing because by then I
knew the meaning of forever.
I could not have what I wanted most: Mr. Harvey dead and me living. Heaven wasn't perfect. But I came to
believe that if I watched closely, and desired, I might change the lives of those I loved on Earth.
My father was the one who took the phone call on December ninth. It was the beginning of the end. He gave
the police my blood type, had to describe the lightness of my skin. They asked him if I had any identifying
features. He began to describe my face in detail, getting lost in it. Detective Fenerman let him go on, the next
news too horrible to interrupt with. But then he said it: "Mr. Salmon, we have found only a body part."
My father stood in the kitchen and a sickening shiver overtook him. How could he tell that to Abigail?
"So you can't be certain that she's dead?" he asked.
"Nothing is ever certain," Len Fenerman said.
That was the line my father said to my mother: "Nothing is ever certain."
For three nights he hadn't known how to touch my mother or what to say. Before, they had never found
themselves broken together. Usually, it was one needing the other but not both needing each other, and so
there had been a way, by touching, to borrow from the stronger one's strength. And they had never understood,
as they did now, what the word horror meant.
"Nothing is ever certain," my mother said, clinging to it as he had hoped she might.
My mother had been the one who knew the meaning of each charm on my bracelet – where we had gotten it
and why I liked it. She made a meticulous list of what I'd carried and worn. If found miles away and in
isolation along a road, these clues might lead a policeman there to link it to my death.
In my mind I had wavered between the bittersweet joy of seeing my mother name all the things I carried and
loved and her futile hope that these things mattered. That a stranger who found a cartoon character eraser or a
rock star button would report it to the police.
After Len's phone call, my father reached out his hand and the two of them sat in the bed together, staring
straight in front of them. My mother numbly clinging to this list of things, my father feeling as if he were
entering a dark tunnel. At some point, it began to rain. I could feel them both drinking the same thing then, but
neither of them said it. That I was out there somewhere, in the rain. That they hoped I was safe. That I was dry
somewhere, and warm.
Neither of them knew who fell asleep first; their bones aching with exhaustion, they drifted off and woke
guiltily at the same time. The rain, which had changed several times as the temperature dropped, was now hail,
and the sound of it, of small stones of ice hitting the roof above them, woke them together.
They did not speak. They looked at each other in the small light cast from the lamp left on across the room.
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My mother began to cry, and my father held her, wiped her tears with the pad of his thumbs as they crested her
cheekbones, and kissed her very gently on the eyes.
I looked away from them then, as they touched. I moved my eyes into the cornfield, seeing if there was
anything that in the morning the police might find. The hail bent the stalks and drove all the animals into their
holes. Not so deep beneath the earth were the warrens of the wild rabbits I loved, the bunnies that ate the
vegetables and flowers in the neighborhood nearby and that sometimes, unwittingly, brought poison home to
their dens. Then, inside the earth and so far away from the man or woman who had laced a garden with toxic
bait, an entire family of rabbits would curl into themselves and die.
On the morning of the tenth, my father poured the Scotch down the kitchen sink. Lindsey asked him why.
"I'm afraid I might drink it," he said.
"What was the phone call?" my sister asked.
"What phone call?"
"I heard you say that thing you always say about Susie's smile. About stars exploding."
"Did I say that?"
"You got kind of goofy. It was a cop, wasn't it?"
"No lies?"
"No lies," Lindsey agreed.
"They found a body part. It might be Susie's."
It was a hard sock in the stomach. "What?"
"Nothing is ever certain," my father tried.
Lindsey sat down at the kitchen table. "I'm going to be sick," she said.
"Honey?"
"Dad, I want you to tell me what it was. Which body part, and then I'm going to need to throw up."
My father got down a large metal mixing bowl. He brought it to the table and placed it near Lindsey before
sitting down.
"Okay," she said. "Tell me."
"It was an elbow. The Gilberts' dog found it." He held her hand and then she threw up, as she had promised,
into the shiny silver bowl.
Later that morning the weather cleared, and not too far from my house the police roped off the cornfield and
began their search. The rain, sleet, snow, and hail melting and mixing had left the ground sodden; still, there
was an obvious area where the earth had been freshly manipulated. They began there and dug.
In places, the lab later found, there was a dense concentration of my blood mixed with the dirt, but at the time,
the police grew more and more frustrated, plying the cold wet ground and looking for girl.
Along the border of the soccer field, a few of my neighbors kept a respectful distance from the police tape,
wondering at the men dressed in heavy blue parkas wielding shovels and rakes like medical tools.
My father and mother remained at home. Lindsey stayed in her room. Buckley was nearby at his friend Nate's
house, where he spent a lot of time these days. They had told him I was on an extended sleepover at Clarissa's.
I knew where my body was but I could not tell them. I watched and waited to see what they would see. And
then, Like a thunderbolt, late in the afternoon, a policeman held up his earth-caked fist and shouted.
"Over here!" he said, and the other officers ran to surround him.
The neighbors had gone home except for Mrs. Stead. After conferring around the discovering policeman,
Detective Fenerman broke their dark huddle and approached her.
"Mrs. Stead?" he said over the tape that separated them.
"Yes."
"You have a child in the school?"
"Yes."
"Could you come with me, please?"
A young officer led Mrs. Stead under the police tape and over the bumpy, churned-up cornfield to where the
rest of the men stood.
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Sebold, Alice: The Lovely Bones
"Mrs. Stead," Len Fenerman said, "does this look familiar?" He held up a paperback copy of To Kill a
Mockingbird. "Do they read this at the school?"
"Yes," she said, her face draining of color as she said the small word.
"Do you mind if I ask you ..." he began.
"Ninth grade," she said, looking into Len Fenerman's slate blue eyes. "Susie's grade." She was a therapist and
relied on her ability to hear bad news and discuss rationally the difficult details of her patients' lives, but she
found herself leaning into the young policeman who had led her over. I could feel her wishing that she had
gone home when the other neighbors had left, wishing that she was in the living room with her husband, or out
in the backyard with her son.
"Who teaches the class?"
"Mrs. Dewitt," Mrs. Stead said. "The kids find it a real relief after Othello."
"Othello?"
"Yes," she said, her knowledge of the school suddenly very important right now – all the policemen
listening. "Mrs. Dewitt likes to modulate her reading list, and she does a big push right before Christmas with
Shakespeare. Then she passes out Harper Lee as a reward. If Susie was carrying around To Kill a Mockingbird
it means she must have turned in her paper on Othello already."
All of this checked out.
The police made calls. I watched the circle widen. Mrs. Dewitt had my paper. Eventually, she sent it back to
my parents, unmarked, through the mail. "Thought you would want to have this," Mrs. Dewitt had written on a
note attached to it. "I'm so very very sorry." Lindsey inherited the paper because it was too painful for my
mother to read. "The Ostracized: One Man Alone," I had called it. Lindsey had suggested "The Ostracized,"
and I made up the other half. My sister punched three holes down the side of it and fastened each carefully
handwritten page into an empty notebook. She put it in her closet under her Barbie case and the box that held
her perfect-condition Raggedy Ann and Andy that I'd envied.
Detective Fenerman called my parents. They had found a schoolbook, they believed, that might have been
given to me that last day.
"But it could be anyone's," my father said to my mother as they began another restless vigil. "Or she could
have dropped it along the way."
Evidence was mounting, but they refused to believe.
Two days later, on December twelfth, the police found my notes from Mr. Botte's class. Animals had carried
off the notebook from its original burial site – the dirt did not match the surrounding samples, but the graph
paper, with its scribbled theories that I could never understand but still dutifully recorded, had been found
when a cat knocked down a crow's nest. Shreds of the paper were laced among the leaves and twigs. The
police unbraided the graph paper, along with strips of another kind of paper, thinner and brittle, that had no
lines.
The girl who lived in the house where the tree stood recognized some of the handwriting. It was not my
writing, but the writing of the boy who had a crush on me: Ray Singh. On his mother's special rice paper Ray
had written me a love note, which I never read. He had tucked it into my notebook during our Wednesday lab.
His hand was distinct. When the officers came they had to piece together the scraps of my biology notebook
and of Ray Singh's love note.
"Ray is not feeling well," his mother said when a detective called his house and asked to speak to him. But
they found out what they needed from her. Ray nodded to her as she repeated the policeman's questions to her
son. Yes, he had written Susie Salmon a love note. Yes, he had put it in her notebook after Mr. Botte had
asked her to collect the pop quiz. Yes, he had called himself the Moor.
Ray Singh became the first suspect.
"That sweet boy?" my mother said to my father.
"Ray Singh is nice," my sister said in a monotone at dinner that night.
I watched my family and knew they knew. It was not Ray Singh.
The police descended on his house, leaning heavily on him, insinuating things. They were fueled by the guilt
they read into Ray's dark skin, by the rage they felt at his manner, and by his beautiful yet too exotic and
unavailable mother. But Ray had an alibi. A whole host of nations could be called to testify on his behalf. His
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Sebold, Alice: The Lovely Bones
father, who taught postcolonial history at Penn, had urged his son to represent the teenage experience at a
lecture he gave at the International House on the day I died.
At first Ray's absence from school had been seen as evidence of his guilt, but once the police were presented
with a list of forty-five attendees who had seen Ray speak at "Suburbia: The American Experience," they had
to concede his innocence. The police stood outside the Singh house and snapped small twigs from the hedges.
It would have been so easy, so magical, their answer literally falling out of the sky from a tree. But rumors
spread and, in school, what little headway Ray had made socially was reversed. He began to go home
immediately after school.
All this made me crazy. Watching but not being able to steer the police toward the green house so close to my
parents, where Mr. Harvey sat carving finials for a gothic dollhouse he was building. He watched the news and
scanned the papers, but he wore his own innocence like a comfortable old coat. There had been a riot inside
him and now there was calm.
I tried to take solace in Holiday, our dog. I missed him in a way I hadn't yet let myself miss my mother and
father, my sister and brother. That way of missing would mean that I had accepted that I would never be with
them again; it might sound silly but I didn't believe it, would not believe it. Holiday stayed with Lindsey at
night, stood by my father each time he answered the door to a new unknown. Gladly partook of any
clandestine eating on the part of my mother. Let Buckley pull his tail and ears inside the house of locked
doors.
There was too much blood in the earth.
On December fifteenth, among the knocks on the door that signaled to my family that they must numb
themselves further before opening their house to strangers – the kind but awkward neighbors, the bumbling
but cruel reporters – came the one that made my father finally believe.
It was Len Fenerman, who had been so kind to him, and a uniform.
They came inside, by now familiar enough with the house to know that my mother preferred them to come in
and say what they had to say in the living room so that my sister and brother would not overhear.
"We've found a personal item that we believe to be Susie's," Len said. Len was careful. I could see him
calculating his words. He made sure to specify so that my parents would be relieved of their first thought –
that the police had found my body, that I was, for certain, dead.
"What?" my mother said impatiently. She crossed her arms and braced for another inconsequential detail in
which others invested meaning. She was a wall. Notebooks and novels were nothing to her. Her daughter
might survive without an arm. A lot of blood was a lot of blood. It was not a body. Jack had said it and she
believed: Nothing is ever certain.
But when they held up the evidence bag with my hat inside, something broke in her. The fine wall of leaden
crystal that had protected her heart – somehow numbed her into disbelief – shattered.
"The pompom," Lindsey said. She had crept into the living room from the kitchen. No one had seen her come
in but me.
My mother made a sound and reached out her hand. The sound was a metallic squeak, a human-as-machine
breaking down, uttering last sounds before the whole engine locks.
"We've tested the fibers," Len said. "It appears whoever accosted Susie used this during the crime."
"What?" my father asked. He was powerless. He was being told something he could not comprehend.
"As a way to keep her quiet."
"What?"
"It is covered with her saliva," the uniformed officer, who had been silent until now, volunteered. "He gagged
her with it."
My mother grabbed it out of Len Fenerman's hands, and the bells she had sewn into the pompom sounded as
she landed on her knees. She bent over the hat she had made me.
I saw Lindsey stiffen at the door. Our parents were unrecognizable to her; everything was unrecognizable.
My father led the well-meaning Len Fenerman and the uniformed officer to the front door.
"Mr. Salmon," Len Fenerman said, "with the amount of blood we've found, and the violence I'm afraid it
implies, as well as other material evidence we've discussed, we must work with the assumption that your
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Description:Sebold, Alice: The Lovely Bones Of course, in a cornfield, in the dark, I was startled. After I was dead I thought about how there had been the
