Table Of ContentINDEX TO CINEASTE, VOL. XXI
Compiled by John Fried
Index Key: First number is volume number; second nique of Postproduction Sound,” 21.1-2, 56-61 Love, Frann Michel, 21.4, 46
number is number of issue; third and subsequent num- Wilson, Michael: “Lawrence of Arabia: Elements The Madness of King George, Harvey Roy Green-
bers are page numbers. Articles are arranged alpha- and Facets of the Theme,” 21.4, 30-32 berg, 21.3, 47-48
betically by author; interviews are arranged alphabeti- Theremin, Louis Menashe, 21.4, 64
cally by interviewee; film, video and laserdisc reviews INTERVIEWS To Die For, Marco Calavita, 21.4, 64
are arranged alphabetically by film title; and book Alea, Tomas Gutiérrez and Juan Carlos Tabio: Tom & Viv, Ed Kelleher and Cynthia Lucia, 21.3, 40-
reviews are arranged alphabetically by book author's “Strawberry and Chocolate, \ce Cream and Toler- 42
name. ance,” by Dennis West, 21.1-2, 16-20 Unzipped, John Fried, 21.4, 64
Amelio, Gianni: “Beyond Neorealism: Preserving a
ARTICLES Cinema of Social Conscience,” by Gary Crowdus BOOK REVIEWS
Aleiss, Angela: “Native Americans: The Surprising and Richard Porton, 21.4, 6-13 Andrew, Dudley: Mists of Regret: Culture and Sen-
Silents,” 21.3, 34-35 Field, Connie and Marilyn Mulford: “Progress and sibility in Classic French Film, Gilberto Perez, 21.4,
Altman, Rick: “The Sound of Sound: A Brief History Misgivings in Mississippi,” 21.1-2, 43-45 54-55
of the Reproduction of Sound in Movie Theaters,” Julien, isaac: “Black Nationhood and the Rest in Brando, Marlon with Robert Lindsey: Brando:
21.1-2, 68-71 the West,” by Roy Grundmann, 21.1-2, 28-31 Songs My Mother Taught Me, James Naremore,
Arthur, Paul and Janet Cutler: “On the Rebound: Kiarostami, Abbas: “Real Life is More Important 21.1-2, 92-94
Hoop Dreams and Its Discontents,” 21.3, 22-24 Than Cinema,” by Pat Aufderheide, 21.3, 31-33 Caute, David: Joseph Losey, A Revenge on Life,
Bolt, Robert: “Apologia,” 21.4, 33-34 Maggenti, Maria: “An Incredibly True Adventure,” Brian Neve, 21.3, 60
Brasell, R. Bruce: “Bullets, Ballots and Bibles: by Dennis and Joan M. West, 21.4, 41-42 Cham, Mbye: Ex-iles: Essays on Caribbean Cinema,
Documenting the History of the Gay and Lesbian Manchevski, Milcho: “Cinema Across the Dennis West, 21.4, 58-59
Struggle in America (Coming Out Under Fire, Ballot Oceans,” by Andrew Horton, 21.3, 45 Chakravarty, Sumita: National Identity in Indian
Measure 9 and One Nation Under God),” 21.4, 17-21 Moretti, Nanni: “Comedy, Communism, and Pas- Popular Cinema, Parag Amladi, 21.4, 59
Brown, Royal S.: “Film Music: The Good, The Bad, try,” by Richard Porton and Lee Ellickson, 21.1-2, Chion, Michel, Audio-Vision: Sound on Screen,
and The Ugly,” 21.1-2, 62-67 11-15 Jonathan Rosenbaum, 21.1-2, 94-95
Cornell, Katherine: “The Cinema of Ambivalence: Morricone, Ennio: “Music at the Service of the Cin- Crowdus, Gary, ed., The Political Companion to
Recent Films from Central and Eastern Europe,” ema,” by Jon Burlingame and Gary Crowdus, 21.1- American Film, Colin McArthur, 21.3, 59
21.3, 28-30 2, 76-80 Doherty, Thomas: Projections of War: Hollywood,
Crowdus, Gary: “The Writers Guild of America vs. Nava, Gregory: “Filming the Chicano Family Saga,” American Culture, and World War Ii, Robert Sklar,
The Blacklist,” 21.4, 29 by Dennis West, 21.4, 26-28 21.3, 58
Doherty, Tom: “Clueless Kids,” 21.4, 14-16 Ophuls, Marcel: “The Troubles He's Seen,” by Doty, Alexander: Making Things Perfectly Queer:
Dowell, Pat: “The Mythology of the Western: Hol- Richard Porton and Lee Ellickson, 21.3, 8-13 Interpreting Mass Culture, Michael Bronski, 21.1-2,
lywood Perspectives on Race and Gender in the Perugorria, Jorge: “Homosexuality and the Revolu- 90-92
Nineties,” 21.1-2, 6-10 tion,” by Johannes Birringer, 21.1-2, 21-22 Foster, David William: Contemporary Argentine
Dowell, Pat and John Fried: “Pulp Friction: Two Sander, Helke: “There Should Be No Scissors in Cinema, Ann Marie Stock, 21.3, 61
Shots at Quentin Tarantino's Pulp Fiction,” 21.3, 4-7 Your Mind,” by Stuart Liebman, 21.1-2, 40-42 Gever, Martha and John Greyson and Pratibha Par-
Feng, Peter: “In Search of Asian American Cine- Shepard, David: “Sprucing Up the Silents,” by Gary mar: Queer Looks: Perspectives on Lesbian and
ma,” 21.1-2, 32-35 Crowdus, 21.3, 17 Gay Film and Video, Michael Bronski, 21.1-2,90-92
Fregoso, Rosa Linda: “Hanging Out with the Home- Tamahori, Lee: “Social Realism with Style,” by Grindon, Leger: Shadows on the Past: Studies in
girls?: Allison Anders’s Mi Vida Loca,” 21.3, 36-37 Robert Sklar, 21.3, 25-27 the Historical Fiction Film, Tom Gunning, 21.4, 57-
Georgakas, Dan: “Home Video: Cinema of the New West, Dennis and Joan M. West: “An Incredibly 58
Deal,” 21.4, 47-48 True Cinematic Adventure,” 21.4, 41-42 Marchetti, Gina: Romance and the “Yellow Peril”:
Gorbman, Claudia: “The State of Film Music Criti- Young, Freddie, “Just Make It Marvelous, Fred- Race, Sex, and Discursive Strategies in Hollywood
cism,” 21.1-2, 72-75 die!” by Gary Crowdus, 21.3, 18-21 Fiction, Robert Sklar, 21.3, 58
Grundmann, Roy: “How Clean Was My Valley: Manso, Peter: Brando: The Biography, James
Todd Haynes's Safe,” 21.4, 22-25 FILM REVIEWS Naremore, 21.1-2, 92-94
Gunning, Tom: “Buster Keaton or The Work of Com- (Including Film Guide Capsule Reviews) Naremore, James: The Films of Vincent Minnelli,
edy in the Age of Mechanical Reproduction,” 21.3, Before the Rain, Andrew Horton, 21.3, 44-46 Jonathan Rosenbaum, 21.4, 58
14-16 Boys on the Side, Suzanna Malu, 21.3, 64 Parkinson, David, ed., The Graham Greene Film
Handzo, Stephen: “The Golden Age of Film Music,” Burnt by the Sun, Louis Menashe, 21.4, 43-44 Reader: Reviews, Essays, Interviews & Film Sto-
21.1-2, 46-55 Clockers, Leonard Quart, 21.4, 64 ries, Charles Barr, 21.4, 55-57
Juhasz, Alexandra: “So Many Alternatives: The Cobb, Marco Calavita, 21.1-2, 104 Rajadhyaksha, Ashish and Paul Willemen: Ency-
Alternative AIDS Video Movement,” 21.1-2, 37-39 Crumb, Richard Porton, 21.3, 64 clopedia of Indian Cinema, Vijay S. Jodha, 21.4, 59
Kilpatrick, Jacquelyn: “Disney's ‘Politically Cor- Death and the Maiden, Richard Porton, 21.1-2, 104 Shohat, Ella and Robert Stam: Unthinking Eurocen-
rect’ Pocahontas,” 21.4, 36-37 Exotica, Alissa Quart, 21.3, 64 tricism: Multiculturalism and the Media, Ed Guer-
Liebman, Stuart: “Home Video: Weimar Cinema’s Freedom on My Mind, Paul Arthur and Janet Cutler, rero, 21.3, 60-61
Greatest Hits,” 21.3, 50-52 21.1-2, 81-82 Sitney, P. Adam: Vital Crises in italian Cinema:
Lucia, Cynthia: “Festivals: Montreal's Feminist Harry Bridges: A Man and His Union, Robert Bruno, Iconography, Stylistics, Politics, Gilberto Perez,
Edge,” 21.1-2, 96-97 21.3, 48-49 21.4, 54-55
Lucia, Cynthia and Richard Porton: “Festivals: The Hoop Dreams, Leonard Quart, 21.1-2, 104 Weiss, Andrea: Vampires and Violets: Lesbians in
Montreal World Film Festival,” 21.4, 60-61 | Can't Sleep, Steve Erikson, 21.4, 64 Films, Michael Bronski, 21.1-2, 90-92
Menashe, Louis: “Requiem for Soviet Cinema 1917- In Darkest Hollywood, Cassandra Ellis, 21.1-2, 87-88
1991,” 21.1-2, 23-27 Ladybird, Ladybird, Leonard Quart, 21.1-2, 84-85 HOME VIDEO & LASERDISC REVIEWS
Quart, Leonard: “A Second Look: Boys Town,” 21.3, The Last Seduction, Peter Ruppert, 21.1-2, 104 (See also “Homevideo” under Articles)
55-57 Mamma Roma, Peter Bondanella, 21.3, 42-44 Le Corbeau, Alissa Quart and David Evans, 21.3, 54
Rhines, Jesse Algeron: “The Political Economy of Natural Born Killers, Christopher Sharrett, 21.1-2, The Emperor Jones, Ed Guerrero, 21.1-2, 100-101
Black Film,” 21.3, 38-39 83-84 Wi Grido, Richard Porton, 21.1-2, 101
Shohat, Ella and Robert Stam: “Festivals: The Panther, Marco Calavita, 21.3, 64 Heavenly Creatures, John Fried, 21.4, 51
Carthage Film Festival,” 21.3, 56-57 Persuasion, Alissa Quart, 21.4, 64 Mrs. Parker and the Vicious Circle, Cynthia Lucia,
Sanjek, David: “Home Alone: The Phenomenon of Quiz Show, Thomas Doherty, 21.1-2, 85-87 21.4, 50
Direct-to-Video,” 21.1-2, 98-100 Red, Michael Bentley, 21.1-2, 104 Oleanna, Felicia Feaster, 21.3, 52-53
Tiana (Thi Thanh Nga): “The Long March: From Search and Destroy, Thomas Denigan, 21.3, 64 Othello, Gary Crowdus, 21.4, 52
Wong to Woo: Asians in Hollywood,” 21.4, 38-40 Smoke, Leonard Quart, 21.4, 44-46 Platoon, Gary Crowdus, 21.4, 52-53
Weis, Elisabeth: “Sync Tanks: The Art and Tech- The Incredibly True Adventure of Two Girls in Richard ill, Gary Crowdus, 21.3, 53 a
CINEASTE 29
