Table Of Content[in memory of Ken Radford]
Published in 2008 by Stewart, Tabori & Chang An imprint of Harry N. Abrams,
Inc.
Text and illustrations copyright © 2008 by Leigh Radford Photographs copyright
© 2008 by John Mulligan All rights reserved. No portion of this book may be
reproduced, stored in a retrieval system, or transmitted in any form or by any
means, mechanical, electronic,
photocopying, recording, or otherwise, without written permission from the
publisher.
Library of Congress Cataloging-in-Publication Data Radford, Leigh.
AlterKnits felt : imaginative projects for knitting and felting / by Leigh Radford;
photography by John Mulligan.
p. cm.
“STC Craft/A Melanie Falick book.”
Includes bibliographical references.
ISBN 978-1-4532-6815-5
1. Knitting--Patterns. 2. Felting. I. Title.
TT825.R278 2008
746.43’2041--dc22
2008001972
Editor: Melanie Falick
Designer: Goodesign
Production Manager: Jacqueline Poirier
115 West 18th Street
New York, NY 10011
www.hnabooks.com
Introduction
Felting Basics
shibori bobble bag
shibori scarf & cravat
circular coin purses
circle & stripe bag
pleated cloche
pleated collar
simple zipper bag
felted pillow with embroidery
camp rose cushions & chair backs
book & laptop sleeves
reverse appliqué rug
i-cord wrap bracelet & rings
felted rings
necklace
basic needle-felted pullovers
needle-felted pillows
willamette wrap
market bag
blue jay blanket
pincushions
balls & buttons
garland
ornaments
christmas stockings
christmas tree skirt
full circle purse
hazel & maude pot holders
oversized carry-all
wool nesting boxes
ottoman upholstery
Special Techniques
Abbreviations
Sources for Supplies
Bibliography
Acknowledgments
introduction
EVER SINCE MY INITIAL EXPERIENCE MAKING
FELT, I'VE BEEN INTRIGUED BY ITS “MAGIC.” MY FIRST PROJECT
WAS A SMALL PINK ALPACA DRAWSTRING BAG THAT I KNITTED
AND THEN FELTED BY HAND IN THE SINK. BY THE TIME I FINALLY
FINISHED—IF I REMEMBER CORRECTLY THE FELTING TOOK OVER
AN HOUR—MY ARMS WERE TIRED. BUT I LOVED WHAT I
HAD CREATED AND THE PROCESS OF GETTING THERE.
TO THIS DAY, THIS PROCESS STILL INTRIGUES ME.
I UNDERSTAND HOW FELTING HAPPENS AND THAT IT ISN’T REALLY
MAGIC—WATER AND AGITATION CAUSE WOOL AND SOME OTHER
ANIMAL FIBERS TO TWIST AROUND AND STICK TO ONE ANOTHER,
THUS CLOSING UP THE “HOLES” IN THE FABRIC—BUT THERE STILL
SEEMS TO BE SOMETHING MAGICAL ABOUT IT. I LOVE STARTING
WITH A PIECE OF FABRIC THAT LOOKS AND FEELS A CERTAIN WAY
DEPENDING ON MY CHOICE OF YARN, GAUGE,
AND STITCH PATTERN, AND THEN FINISHING WITH A
PIECE OF FABRIC THAT LOOKS AND FEELS COMPLETELY
DIFFERENT. I ALSO LOVE THE FLEXIBILITY OF THE
FELTING PROCESS: I CAN START WITH TWO IDENTICAL
PIECES OF FABRIC AND THEN HANDLE THEM DIFFERENTLY DURING
THE FELTING STAGE IN ORDER TO ALTER THE RESULTS.
FOR EXAMPLE, I MAY CHOOSE TO VARY THE AMOUNT OF TIME I
FELT MY WORK, CHANGING THE DRAPE AND OVERALL FEEL,
STRUCTURE, AND SIZE OF THE FINAL PIECE. OR I MAY CHOOSE TO
FOLD OR PLEAT MY FABRIC AFTER IT’S FELTED IN ORDER TO
CREATE A PIECE WITH A TEXTURED SURFACE.
WHEN I FIRST STARTED FELTING, I SOMETIMES FOUND
THE RESULTS OF MY EXPERIMENTS
FRUSTRATING.
RIGHT AWAY I NOTICED THAT MY WORK DID
NOT SHRINK PROPORTIONATELY—FOR EXAMPLE, STOCKINETTE
STITCH WOULD SHRINK TO ABOUT 65 PERCENT OF ITS ORIGINAL
HEIGHT BUT ONLY 85 PERCENT OF ITS ORIGINAL WIDTH. I ALSO
QUICKLY LEARNED THAT NOT ALL YARNS (OR STITCH PATTERNS)
REACT THE SAME WAY WHEN FELTED, SO SOMETIMES WHEN I
MADE WHAT I THOUGHT WAS A VERY SLIGHT MODIFICATION, THE
RESULT WAS DRASTICALLY DIFFERENT.
I WANTED TO FELT
REGARDLESS, I WAS HOOKED—
EVERYTHING. I KNITTED HUMONGOUS STRIPED BAGS IN A
MULTITUDE OF COLORS AND FELTED THEM TO MANAGEABLE
SIZES. I STARTED COMBINING NOVELTY YARNS THAT I KNEW
WOULDN’T FELT WITH WOOL YARN THAT I KNEW FELTED WELL TO
SEE HOW THE TWO WOULD WORK TOGETHER. I
EXPERIMENTED WITH SHIBORI TECHNIQUES
TO CREATE UNUSUAL TEXTURES. AS I TRIED OUT
NEW IDEAS, I BECAME MORE AND MORE FASCINATED WITH THE
RESULTS—BOTH THE SUCCESSES AND FAILURES—AND LEARNED
SOMETHING NEW WITH EACH AND EVERY ENDEAVOR. I WAS
PUSHING THE BOUNDARIES OF TRADITIONAL FELTING, EXPLORING
DIFFERENT FIBERS, STITCH PATTERNS,
SHAPES, AND METHODS FOR TEXTURIZING,
AND ENJOYING EVERY MINUTE OF IT.
ALTERKNITS FELT IS A COLLECTION OF THE PRJOECTS I
CONSIDER TO BE MY MOST SUCCESSFUL EXPLORATIONS. IT
INCLUDES PROJECTS MADE BY KNITTING A FABRIC,
THEN FELTING IT, SOMETIMES APPLYING SPECIAL
TECHNIQUES TO CREATE UNUSUAL SURFACE TEXTURES; TAKE A
LOOK AT THE SHIBORI BOBBLE BAG, THE PLEATED CLOCHE, AND
THE SHIBORI SCARF & CRAVAT. IT INCLUDES PROJECTS THAT
REQUIRE RECYCLING PREEXISTING KNITS (FOR EXAMPLE, THRIFT-
STORE SWEATERS), SUCH AS THE CAMP ROSE CUSHIONS AND THE
REVERSE APPLIQUE RUG. FINALLY, THERE ARE PROJECTS
MADE FROM UNSPUN FIBER THAT IS FELTED
WITHOUT EVER BEING KNITTED, SUCH AS THE BALLS
AND BUTTONS AND THE FELTED RINGS. SOME OF THESE PROJECTS
ARE EASY AND QUICK, SUCH AS THE CIRCULAR COIN PURSES AND
SOME REQUIRE MORE OF A COMMITMENT, FOR EXAMPLE, THE
CHRISTMAS TREE SKIRT.
I HAVE DONE MY BEST TO WRITE ALL OF THE PROJECT
INSTRUCTIONS SO THAT YOU WILL BE ABLE TO DUPLICATE MY
RESULTS, HOWEVER FELTING IS AN ORGANIC
PROCESS THAT IS AFFECTED BY MANY
VARIABLES, SUCH AS THE FIBERS USED, THE TYPE OF WATER
YOU HAVE, AND HOW YOUR WASHING MACHINE OPERATES. I URGE
YOU TO READ FELTING BASICS IN ORDRE TO UNDERSTAND AND
CONTROL WHAT YOU ARE DOING. ONCE YOU ARE FAMILIAR WITH
THE BASICS, I ALSO ENCOURAGE YOU TO
EXPERIMENT AND EXPLORE, ALWAYS STAYING
ENGAGED IN THE FELTING PROCESS
SO THAT YOU
CAN REACT TO WHAT IS ACTUALLY HAPPENING AND ALSO LEARN
FROM EACH EXPERIENCE. ALONG THE WAY, I AM SURE YOU
WILL DISCOVER YOUR OWN TRICKS AND
INNOVATIVE TECHNIQUES WHICH I'M HOPING YOU WILL
SHARE WITH OTHERS. THAT WAY WE CAN ALL ENJOY TOGETHER
THIS JOURNEY THROUGH THE ART OF FELTING.
Description:There’s something magical about felting knits: You start with a piece of fabric that looks and feels a certain way and, by exposing it to water and agitation, finish with one that looks and feels completely different. This fascinating transformation is what led author Leigh Radford to begin feltin
