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Volume 1 Issue 2 Article 5
November 2012
AAlliieennaattiioonn,, AAnnaarrcchhyy,, aanndd MMaassccuulliinniittyy iinn JJuuaann GGooyyttiissoolloo’’ss CCoouunntt
JJuulliiaann
Ellen Mayock
Washington and Lee University
Follow this and additional works at: https://digitalcommons.bowdoin.edu/dissidences
RReeccoommmmeennddeedd CCiittaattiioonn
Mayock, Ellen (2012) "Alienation, Anarchy, and Masculinity in Juan Goytisolo’s Count Julian," Dissidences:
Vol. 1 : Iss. 2 , Article 5.
Available at: https://digitalcommons.bowdoin.edu/dissidences/vol1/iss2/5
This Article / Artículo is brought to you for free and open access by the Journals at Bowdoin Digital Commons. It
has been accepted for inclusion in Dissidences by an authorized editor of Bowdoin Digital Commons. For more
information, please contact [email protected].
AAlliieennaattiioonn,, AAnnaarrcchhyy,, aanndd MMaassccuulliinniittyy iinn JJuuaann GGooyyttiissoolloo’’ss CCoouunntt JJuulliiaann
KKeeyywwoorrddss // PPaallaabbrraass ccllaavvee
Juan Goytisolo, Masculinity, Alienation, Anarchy
This article / artículo is available in Dissidences: https://digitalcommons.bowdoin.edu/dissidences/vol1/iss2/5
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Description:definition) but that sporadically emerge vertically as a dichotomous to say, the Arabic convert Julian attempts to negate everything his Spanish self,
