Table Of ContentMoritz Moszkowski
Easy Pieces for Piano
Five Pieces. Op. 18. Ten Little Pieces. Op. 77
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Second edition, stereotyped
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Ìîðèö Ìîøêîâñêèé
Ëåãêèå ïüåñû äëÿ ôîðòåïèàíî
Ïÿòü ïüåñ. Ñî÷. 18. Äåñÿòü ìàëåíüêèõ ïüåñ. Ñî÷. 77
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Íîòû(cid:1)
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Èçäàíèå âòîðîå, ñòåðåîòèïíîå
ÓÄÊ 786.2 6+
ÁÁÊ 85.954.2
Ì 87
Moszkowski M. Easy Pieces for Piano. Five Pieces. Op. 18 Ten Little Pieces. Op.
77 : sheet music / M. Moszkowski. - 2nd edition, stereotyped. - Saint Petersburg
: Lan : The Planet of Music, 2020. - 100 pages. - (University textbooks. Books on
specialized subjects). - Text : direct.
The German composer Moritz Moszkowski (1854-1925) became famous first of all
as the author of piano music. His concert etudes are especially popular in modern perform-
ing practice. His miniature piano pieces became a steady part of the pedagogical repertoire.
The collection includes pieces of opuses 18 and 77.
The edition is addressed to students of middle and senior classes at children's music
schools and children’s schools of arts, students of art and culture colleges and high schools
in the course of basic piano, and also to a wide range of music lovers.
Ì 87
Ìîøêîâñêèé Ì. Ëåãêèå ïüåñû äëÿ ôîðòåïèàíî. Ïÿòü ïüåñ. Ñî÷. 18 Äåñÿòü ìà-
ëåíüêèõ ïüåñ. Ñî÷. 77 : íîòû / Ì. Ìîøêîâñêèé. - 2-å èçä., ñòåð. - Ñàíêò-Ïåòåð-
áóðã : Ëàíü : Ïëàíåòà ìóçûêè, 2020. - 100 ñ. - (Ó÷åáíèêè äëÿ âóçîâ. Ñïåöèàëü-
íàÿ ëèòåðàòóðà). - Òåêñò : íåïîñðåäñòâåííûé.
ISBN 978-5-8114-4828-9 (Èçäàòåëüñòâî «Ëàíü»)
ISBN 978-5-4495-0381-7 (Èçäàòåëüñòâî «ÏËÀÍÅÒÀ ÌÓÇÛÊÈ»)
ISMN 979-0-66005-397-3 (Èçäàòåëüñòâî «ÏËÀÍÅÒÀ ÌÓÇÛÊÈ»)
Íåìåöêèé êîìïîçèòîð Ìîðèö Ìîøêîâñêèé (1854-1925) â ïåðâóþ î÷åðåäü ïðî-
ñëàâèëñÿ êàê àâòîð ôîðòåïèàííîé ìóçûêè. Îñîáóþ ïîïóëÿðíîñòü â ñîâðåìåííîé èñïîë-
íèòåëüñêîé ïðàêòèêå ïîëó÷èëè åãî êîíöåðòíûå ýòþäû. Ïðî÷íî âîøëè â ïåäàãîãè÷åñêóþ
ïðàêòèêó è ôîðòåïèàííûå ïüåñû-ìèíèàòþðû.  ñáîðíèê âêëþ÷åíû ïüåñû îïóñîâ 18 è
77.
Èçäàíèå àäðåñîâàíî ó÷åíèêàì ñðåäíèõ è ñòàðøèõ êëàññîâ ÄÌØ è ÄØÈ, ñòó-
äåíòàì òâîð÷åñêèõ ó÷èëèù è âóçîâ â êóðñå îáùåãî ôîðòåïèàíî, øèðîêîìó êðóãó ëþáè-
òåëåé ìóçûêè.
ÁÁÊ 85.954.2
Îáëîæêà © Èçäàòåëüñòâî «ÏËÀÍÅÒÀ ÌÓÇÛÊÈ», 2020
À. Þ. Ëàïøèí © Å.À.Èëüÿíîâà, ñîñòàâëåíèå, âñòóïèòåëüíàÿ ñòàòüÿ, 2020
© C.Â.Ñòðîéêèí, ïåðåâîä, 2020
© Èçäàòåëüñòâî «ÏËÀÍÅÒÀ ÌÓÇÛÊÈ»,
õóäîæåñòâåííîå îôîðìëåíèå, 2020
FFFFOOOORRRREEEEWWWWOOOORRRRDDDD ÏÏÏÏÐÐÐÐÅÅÅÅÄÄÄÄÈÈÈÈÑÑÑÑËËËËÎÎÎÎÂÂÂÂÈÈÈÈÅÅÅÅ
German composer, pianist Íåìåöêèé êîìïîçèòîð, ïè-
and conductor Moritz Moszkowski àíèñò è äèðèæåð Ìîðèö Ìîøêîâ-
(1854 1925) was born in a wealthy ñêèé (1854&1925) ðîäèëñÿ â îáåñ-
ïå÷åííîé ïîëüñêî-åâðåéñêîé ñå-
Polish-Jewish family. His creative
ìüå. Åãî òâîð÷åñêèå ñïîñîáíîñòè
abilities showed up early, so the
ïðîÿâèëèñü ðàíî, ïîýòîìó ïåðâûå
first music lessons for Moszkowski
çàíÿòèÿ ìóçûêîé äëÿ Ìîøêîâ-
were given at home under the guid-
ñêîãî ïðîõîäèëè äîìà ïîä ðóêî-
ance of his father, a teacher.
âîäñòâîì îòöà & ó÷èòåëÿ.
Professional musical educa- Ïðîôåññèîíàëüíîå ìóçû-
tion of Moszkowski began in 1865, êàëüíîå îáðàçîâàíèå íà÷àëîñü äëÿ
when the family moved to Dresden. Ìîøêîâñêîãî â 1865, êîãäà ñåìüÿ
After studying four years at the ïåðååõàëà â Äðåçäåí. Îòó÷èâøèñü
Conservatory, he continued his ÷åòûðå ãîäà â êîíñåðâàòîðèè, îí
studies at the Berlin Stern Conserv- ïðîäîëæèë ñâîå îáó÷åíèå â áåð-
ëèíñêîé êîíñåðâàòîðèè Øòåðíà è
atory and at the Theodor Kullak
â Íîâîé àêàäåìèè ìóçûêè Òåîäî-
New Academy of Music. Kullak,
ðà Êóëëàêà. Êóëëàê, âîñïèòàâ-
who educated more than one gener-
øèé íå îäíî ïîêîëåíèå òàëàíòëè-
ation of talented pianists, offered a
âûõ ïèàíèñòîâ, ïðåäëîæèë ñåì-
seventeen-year-old Moszkowski to
íàäöàòèëåòíåìó Ìîøêîâñêîìó
become a teacher at the Academy,
ìåñòî ïðåïîäàâàòåëÿ â Àêàäåìèè,
where Moszkowski taught after-
íà êîòîðîì ïîñëåäíèé ïðîñëóæèë
wards for more than a quarter of a
áîëåå ÷åòâåðòè âåêà. Ñðåäè åãî
century. His most famous students
ó÷åíèêîâ & Èîñèô Ãîôìàí, Õî-
are Joseph Hoffman, Joaquin Tu-
àêèí Òóðèíà, Âàíäà Ëàíäîâñêà.
rina, Wanda Landowska.
Àêòèâíàÿ ïèàíèñòè÷åñêàÿ
The active pianistic activity äåÿòåëüíîñòü Ìîøêîâñêîãî íà÷à-
of Moszkowski began with the per- ëàñü ñ èñïîëíåíèÿ ñâîåãî ïåðâîãî
formance of his first Piano Concerto Êîíöåðòà äëÿ ôîðòåïèàíî ñ îð-
in 1875. Musicians and critics, in- êåñòðîì â 1875 ãîäó. Ìóçûêàíòû
cluding Franz Liszt and Anton Ru- è êðèòèêè, â ÷èñëå êîòîðûõ Ôå-
binstein, highly appreciated the per- ðåíö Ëèñò è Àíòîí Ãðèãîðüåâè÷
formance style of the young pianist. Ðóáèíøòåéí, âûñîêî îöåíèâàëè
3
Touring, Moszkowski visited èñïîëíèòåëüñêóþ ìàíåðó ìîëîäî-
cities of Russia, France, Germany, ãî ïèàíèñòà. Ñ ãàñòðîëÿìè Ìîø-
Poland, Switzerland, England and êîâñêèé ïîñåòèë ãîðîäà Ðîññèè,
USA. His extensive repertoire in- Ôðàíöèè, Ãåðìàíèè, Ïîëüøè,
cluded works by Beethoven, Schu- Øâåéöàðèè, Àíãëèè, ÑØÀ. Åãî
mann, Chopin, Wagner, Liszt and îáøèðíûé ðåïåðòóàð âêëþ÷àë ñî-
÷èíåíèÿ Áåòõîâåíà, Øóìàíà,
others. But the main place in the
Øîïåíà, Âàãíåðà, Ëèñòà è äð. Íî
program was occupied by Moszkow-
îñíîâíîå ìåñòî â ïðîãðàììå çàíè-
ski’s piano music.
ìàëà ôîðòåïèàííàÿ ìóçûêà ñàìî-
Because of the onset of a
ãî Ìîøêîâñêîãî.
nervous illness, Moszkowski could
Èç-çà íà÷àâøåãîñÿ íåðâíîãî
not continue his performing career:
íåäóãà Ìîøêîâñêèé íå ìîã ïðî-
he preferred to compose music in-
äîëæàòü èñïîëíèòåëüñêóþ êàðüå-
stead of making recitals.
ðó: ïóáëè÷íûì âûñòóïëåíèÿì îí
Among the large heritage of
ïðåäïî÷åë ñî÷èíèòåëüñòâî.
Moszkowski, a special place is occu-
Âî âñåì ìíîãîîáðàçèè êîì-
pied by piano works. Despite the
ïîçèòîðñêîãî íàñëåäèÿ Ìîøêîâ-
fact that during his life many of his
ñêîãî îñîáîå ìåñòî çàíèìàþò ôîð-
works were popular among pianists òåïèàííûå ñî÷èíåíèÿ. Íåñìîòðÿ
of Europe and America, still the in- íà òî, ÷òî ïðè æèçíè ìíîãèå åãî
terest in them gradually faded. ïðîèçâåäåíèÿ ïîëüçîâàëèñü ïîïó-
However in our days there is a ten- ëÿðíîñòüþ ñðåäè ïèàíèñòîâ Åâðî-
dency to revive Moszkowski’s music ïû è Àìåðèêè, ïîñòåïåííî èíòå-
in the repertoire of contemporary ðåñ ê íèì óãàñàë. Ëèøü â íàñòî-
performers. ÿùåå âðåìÿ íàìå÷àåòñÿ òåíäåíöèÿ
âîçðîæäåíèÿ ìóçûêè Ìîøêîâñêî-
In pedagogical practice, the
ãî â ðåïåðòóàðå ñîâðåìåííûõ èñ-
“15 brilliant etudes” op. 72, as well
ïîëíèòåëåé.
as Moszkowski's piano miniatures
 ïåäàãîãè÷åñêîé ïðàêòèêå
are especially popular. Perhaps it
îñîáóþ ïîïóëÿðíîñòü ïðèîáðåëè
was in the piano miniature that
«15 áëåñòÿùèõ ýòþäîâ» ñî÷. 72, à
Moszkowski's aesthetic and stylistic
òàêæå ôîðòåïèàííûå ìèíèàòþðû
aspirations were fully reflected.
Ìîøêîâñêîãî. Ïîæàëóé, èìåííî â
The style of piano pieces, ôîðòåïèàííîé ìèíèàòþðå ýñòåòè-
most often united in cycles, organi- ÷åñêèå è ñòèëèñòè÷åñêèå óñòðåì-
4
cally combines the individual char- ëåíèÿ Ìîøêîâñêîãî îòðàçèëèñü â
acteristics of the musical language ïîëíîé ìåðå.
Ñòèëü ôîðòåïèàííûõ ïüåñ,
with the features of classic-roman-
÷àùå âñåãî îáúåäèíåííûõ â öèê-
tic music. The pieces included in
ëû, îðãàíè÷íî ñî÷åòàåò èíäèâè-
this collection (op. 18 and op. 77)
äóàëüíûå îñîáåííîñòè ìóçûêàëü-
are distinguished by a special pia-
íîãî ÿçûêà ñ ÷åðòàìè êëàññèêî-
nistic texture, which allows them to
ðîìàíòè÷åñêîé ìóçûêè. Ïüåñû
be included in the repertoire of pu-
âêëþ÷åííûõ â íàñòîÿùèé ñáîð-
pils of junior and middle classes of
íèê ñî÷. 18 è 77 îòëè÷àåò îñîáàÿ
children's music schools and schools
ïèàíèñòè÷íîñòü ôàêòóðû, ïîçâî-
of art.
ëÿþùàÿ âêëþ÷àòü èõ â ðåïåðòóàð
ó÷åíèêîâ ìëàäøèõ è ñðåäíèõ
E. A. Ilyanova, sheet music editor,
êëàññîâ äåòñêèõ ìóçûêàëüíûõ
Publishing house "The Planet of Music"
øêîë è øêîë èñêóññòâ.
Е. А. Ильянова,
музыкальныйредактор
издательства «Планетамузыки»
FIVE PIECES ÏßÒÜ ÏÜÅÑ
I. MELODY I. ÌÅËÎÄÈß
Op. 18
Moderato
p cantabile
p
6
espress.
3
3
dim.
ritard. p a tempo
7
tranquillo
3 3 3 3
3 3 3 3 3 3
3 3
3
3
dimin. pp
8
II. SCHERZINO II. ÑÊÅÐÖÈÍÎ
Allegro
mp staccato
f
p
scherzando
9
dim.
pp p
10
