ProFire 610

43 Pages·2009·8.24 MB·English

recording interfaces | USB keyboards | studio monitors | mics + preamps | software | DDJJ ttoooolllllsssssssss ||||||||||||||||| ddddddddddddddiiiiiiigggggggiiittttaaaaaalllllll pppppppppppppppppppppiiiiiiiiiiiiiiiiiiiiaaaaaaaaaaaaaaaaaaannnnnnnnnnnoooooss
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PRODUCT GUIDE 2009
m-audio.com
Pro Tools M-Powered 8 SSStttuuudddiiioooppphhhiiilllee DDDSSSMMM
World-Class Production Software—Now High-Resolution Near-Field
More Powerful Than Ever Studio Monitors with DSP
PRODUCT GUIDE 2009
2009 - VOL 6
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9 DJ TOOLS 4 SOFTWARE 32 STUDIO MONITORS 58 CONTACT INFORMATION
Torq. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Pro Tools M-Powered 8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Studiophile DSM2. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60 M-Audio U.S.A. M-Audio UK
Torq Xponent. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Music Production Toolkit 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Studiophile DSM1. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60 5795 Martin Rd. Avid Technology - Europe Ltd
Irwindale, CA 91706 Pinewood Studios
Torq Conectiv Vinyl & CD Pack . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Producer Factory Bundle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 M-Audio EX Series EX66. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
USA Pinewood Road
Torq Control Vinyl & Torq Control CD. . . . . . . . . . . . . . . . . . . . . . . . 9 Producer Factory Pro Bundle . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Studiophile BX8a Deluxe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64 Iver Heath, Bucks
web: http://www.m-audio.com
X-Session Pro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Hybrid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Studiophile BX5a Deluxe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64 e-mail: [email protected] SL0 0NH
Strike. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Studiophile BX10s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65 web: http://www.maudio.co.uk
tel: [phone]
AUDIO INTERFACES 10 Velvet. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Studiophile AV 40. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65 fax: [phone] e-mail: [email protected]
ProFire 2626. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 Structure. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 Studiophile Q40 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66 tel: [phone]
M-Audio Canada fax: [phone]
ProFire 610. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Transfuser. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 IE-40 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
1400 St-Jean Baptiste Ave. #195
ProFire Lightbridge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Eleven LE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 IE-30 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67 Quebec City, Quebec G2E 5B7 M-Audio Japan
FireWire Solo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 TimewARP 2600 by Way Out Ware. . . . . . . . . . . . . . . . . . . . . . . . 38 IE-20 XB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67 Canada 4F ATT Bldg.
ProjectMix I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 KikAxxe by Way Out Ware . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 IE-10 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67 web: http://www.m-audio.ca 2-11-7 Akasaka
Minato-ku Tokyo 107-0052
NRV10 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Ozone 4 by iZotope. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 Studio Monitor Comparison Chart. . . . . . . . . . . . . . . . . . . . . . . . . . 68 e-mail: [email protected]
Japan
Fast Track Ultra 8R . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 RX by iZototpe. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 tel: [phone]
Fast Track Ultra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Trash by iZotope. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 MICROPHONES / PREAMPS 70 fax: [phone] we-emba: ihl:t tipn:f/o/@wmww-a.mud-aiou.jdpio.jp
Fast Track Pro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Spectron by iZotope . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 Sputnik. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
M-Audio Germany tel: [phone]
MobilePre USB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Virtual String Machine by GForce . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Solaris . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72 Avid Technology GmbH fax: [phone]
Fast Track USB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Oddity by GForce . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Luna II . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72 Zeppelinstraße 1
Transit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 M-Tron Pro by GForce . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Nova . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73 D-85399 Hallbergmoos M-Audio Benelux
Vreelandseweg 42 A
Delta 1010 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Minimonsta:Melohman by GForce . . . . . . . . . . . . . . . . . . . . . . . . . 43 Aries. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73 web: http://www.m-audio.de
1216 CH Hilversum
e-mail: [email protected]
Delta 1010LT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 impOSCar by GForce . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Pulsar II. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73 Benelux
tel: [phone] - 0
Audiophile 2496 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Pulsar II Matched Pair. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73 web: http://www.m-audio.com
MIDI CONTROLLERS / fax: [phone] - 999
Audiophile 192 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Microphone Applications Chart. . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
tel: [phone]
DIGITAL PIANOS 44
Delta 44. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 DMP3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74 M-Audio France
Audio Interface Comparison Chart . . . . . . . . . . . . . . . . . . . . . . . . . 26 Axiom Pro 61 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 Audio Buddy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74 c/o Avid Technology M-Audio International
44 avenue Georges Pompidou 5795 Martin Rd.
Axiom Pro 49 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
HANDHELD RECORDING 28 MIDI INTERFACES 76 92300 Levallois-Perret Irwindale, CA 91706
Axiom Pro 25 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 France USA
MicroTrack II . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Axiom 61 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 USB MIDISPORT 4x4. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
web: http://www.m-audio.fr web: http://www.m-audio.com
MicroTrack 10dB Pad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Axiom 49 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 USB MIDISPORT 2x2. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78 e-mail: [email protected]
tel: [phone]
MicroPack. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Axiom 25 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 USB MIDISPORT 1x1. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78 tel: [phone] (Numéro Azur) fax: [phone]
Oxygen 61 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49 USB Uno . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78 fax: [phone]
M-Audio Australia
Oxygen 49 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49 MidAir. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
web: http://www.m-audio.com
Oxygen 8 v2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49 CO2. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
tel: [phone]
Keystation Pro 88. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50 Accessories. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Keystation 88es. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
PRODUCT SPECIFICATIONS 80
Keystation 61es. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
KeyRig 49 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
KeyRig 25. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Trigger Finger. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
ProKeys 88. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
2 ProKeys 88sx . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
ProKeys Sono 88. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
ProKeys Sono 61. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
KeyStudio 49i . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
PRODUCT GUIDE 2009
Keyboard Comparison Chart. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Photo by Joshua Merrill
DJ TOOLS
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T M-Audio’s Torq® DJ line brings you new creative options that are simply
G impossible with old-school hardware rigs or other digital DJ products. If
U you’re ready to step into your full creative potential, check out an integrated
ID Torq software and hardware system. Our DJ design group uses proven
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2 M-Audio technology to deliver innovative solutions that give you the power
0 to mix, remix, produce and perform your music in endless new ways.
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Photo by Joshua Merrill
Torq Torq Xponent
DJ Performance/Production Software Advanced DJ Performance/Production System
Torq® software is a fully equipped digital DJ workstation that provides The professional-grade Torq® Xponent® system seamlessly integrates
innovative tools and production power to set you apart from the pack. In high-performance DJ software with a fully functional hands-on
addition to essential cueing, beat matching and mixing, Torq goes beyond all controller, representing a new era in digital DJ performance and
production. The Xponent hardware combines the features of a
other DJ applications by offering a host of real-time creative options unavailable
two-channel DJ mixer with DJ CD-player-style tactile controls,
anywhere else. Unique features like built-in effects processing, a 16-cell letting you cue, mix and manipulate digital fi les without touching
sampler, and ReWire support let you bring powerful studio processing to the host computer. In addition to the essentials, M-Audio® Torq
your live sets, as well as infuse your studio productions with live energy. Torq 1.5 software delivers a variety of real-time creative tools to take
software is designed to work seamlessly with select M-Audio® DJ hardware, your sets beyond the ordinary—and the Xponent hardware
PR forming a completely integrated system for rock-solid performance. Version control surface puts all that power right at your fi ngertips. This PRPPRPRPRPPRPPPRPRPRPRPRPPPRPRPPPRPRPPPPPPPPRPRPRPRPRPPPPPPPRPPPPPPPRPPPPPPRPPRPRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRR
O 1.5 brings dynamic new additions like Tempo Anchors, Tempo Master, zplane integrated solution opens the door to new techniques that are OOOOOOOOOOOOOOOOOOOOOOOOO
D élastique time stretching, send/receive MIDI clock, a new toolbar and more. simply impossible with traditional DJ setups. DD
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T Torq software is exclusively available as part of the Torq Xponent® and Torq TT
G Conectiv® DJ systems. Torq LE software is included with the X-Session® G G
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ID Pro control surface, Pro Tools® M-Powered™ 8 and Pro Tools LE® 8. IDID
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2 2 2
0 cue, beat match and mix digital audio ReWire support integrated performance recorder 00
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9 fi les (including MP3, AIFF, WAV, 2 virtual decks for loading and playing fi les vinyl, CDJ and hybrid emulation control modes 9
WMA, AAC and CD audio)
2-channel mixer with 3-band EQ, gain and level control digital fi les with traditional DJ hardware Dynamic Control Over Torq Software “Xponent is an excellent physical representation of Torq software—
seamlessly integrates with select
controls, headphone cueing and crossfader using Torq Control Vinyl and Torq Control CDs The best DJ tools allow you to get your hands on your music— perfect for gigs where space is tight. You just need Xponent and a
M-Audio DJ hardware snapshot function for instant recall controllable via mouse, keyboard from cueing to beat matching to scratching. M-Audio designed laptop. It’s a great piece of hardware and integrates really well with
organizes digital audio fi les (including iTunes of mixer and effects settings and/or MIDI controller the Xponent control surface with rugged, full-size, DJ CD- Torq.” —Johnny Juice (DJ; Public Enemy)
libraries) into an easily searchable database player-style controls so you can get into the music and engage
16-cell, tempo-synced sampler compatible with Pro Tools M-Powered software
supports optional third-party VST effects the crowd during each moment of your set. The unit includes
two touch-sensitive scratch wheels for scratching, speeding
up and slowing down the playback of digital fi les. And for in-
New Features in Torq 1.5
depth control over Torq, Xponent adds 64 assignable backlit
Improved Tempo/Pitch Alteration New User Interface Features Global Tempo metronome can be buttons (including Play, Cue, Seek, Loop, Key and Sync includes Torq DJ software
Tempo Anchors allow marking tracks with Hide Mixer option conserves screen space monitored in headphones controls), two volume sliders, eight assignable knobs for effect
varying tempos—Torq effects and samples preview songs in headphones Auto Gain feature matches the gain levels control and two 100mm pitch sliders. The built-in touchpad/ full-size, professional-grade controllers
follow the tempo changes in the song before loading to deck between decks assignable X/Y controller allows you to control your mouse or all hardware controls are pre-mapped to
Tempo Anchors enable you to eliminate tempo new database categories for bit Enhanced Effects Processing the effects in Torq, so you never have to take your hands off the corresponding software functions in Torq
variations, making it easy to mix varied songs rate, fi le type, year and label internal effects can be grouped into effects chains unit in the middle of a performance. Level and progress LED 4-output USB audio interface:
meters complete the list of professional features.
Tempo Master assigns a playing track Musical Style Preferences improve VST effect tempo synchronizes • 4 RCA outputs for independent control of house system and
to serve as the master tempo source results when analyzing tracks with tempo of playing deck booth monitors
for all tempo-related functions drag and drop songs into decks effects can be used in a post-fader confi guration •• 11/64-b” iht/e4a8dkpHhzo nmea xo ustapmupt lwe itrha tceue and volume controls
zplane élastique time-stretching/compression while in browser max view Rock-Solid Integration with Traditional • ASIO and Core Audio compatible
tpeitcchhn aolltoegrayt fioonr sophisticated beat matching and warning message if loading a new DJ Hardware advanced MIDI control surface:
song onto a Deck that is playing Skip Protection keeps the music playing • mixer controls
Advanced MIDI Control even if the Control Vinyl or CD skips • 2 vertical volume controls
transmit/receive MIDI clock for sync warning message when attempting to exit Torq • 2 3-band EQ control knobs with kill buttons
True Key Lock keeps the pitch constant when
with other hardware/software and • 2 gain-control knobs with mute buttons
optimized control locations adjusting external turntable speed
easy switching between DJs • horizontal crossfader with transform buttons
intuitive toolbar buttons and New Looping Functionality • 2 LED volume meters
MIDI soft takeover prevents parameter jumps MIDI/tempo indicators Loop Points can be set after a section plays • player controls
when using external controllers • 2 touch-sensitive scratch wheels
new QuickLoop option for CDJ-style loop division • 2 100mm pitch adjust controls
Quantize function for Loop In/Out accuracy • built-in touchpad/assignable X/Y control surface
For more information on Torq, including the new features in version 1.5, check out The • 8 assignable knobs for effect control
Future of DJ Technology on pages 18-20 in the artist section of this magazine. • 64 assignable backlit buttons, including Play, Cue, Seek,
Made to Work Together Loop, Key and Sync controls
Torq 1.5 DJ software automatically confi gures itself to work with Xponent—every • 2 LED progress meters
hardware control is pre-mapped to its corresponding function in Torq. It’s easy to get compatible with any software that supports MIDI Learn
Basics and Beyond Get in Sync up and running with Xponent because all of the hardware controls are located exactly Pro Tools® M-Powered™ compatible*
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Torq software delivers everything you need to DJ in a single, easy-to-use workspace. Torq 1.5 takes your performance beyond simple beat matching and crossfading compatible with Mac and PC
The program features an integrated two-channel mixer with three- band EQs, level between tracks. Tempo Anchors let you set the phase grid exactly on the beats
*Requires Pro Tools M-Powered 7.4 or higher. Pro Tools M-Powered 7.4 and higher
controls, headphone cueing and a crossfader—just like a traditional DJ setup. Then of a song, even if the song changes tempo. Tempo Anchors allow Torq to remove
are paid upgrades from previous versions.
the power of digital DJing kicks in. Torq software’s two virtual decks allow you to tempo variations from songs so you can easily blend old styles and new. For
load, cue and mix digital fi les—plus automatically beat match tracks with the push of example, if you have an old ‘70s funk song that was recorded without a click,
a button. Torq also organizes all of your fi les into an easily searchable database, so Tempo Anchors allow you to perfectly match that song with the steady beat of
you can pull up the perfect song or change up your set in an instant. Torq software today’s computer-driven productions. You can also assign a track you’re spinning
even gives you access to your entire iTunes library—literally putting all your music to serve as the Tempo Master for everything in Torq, so looped samples and other New Performance Possibilities
at your fi ngertips. tempo-based features will automatically match the natural tempo changes in the Torq Xponent provides much more than a transparent combination of hardware and
D song. These new features are enhanced by the addition of the zplane élastique time software—it allows you to take DJing and live performance in new directions. With VST D
J T Enhanced User Interface stretching algorithm, a time compression/expansion tool that performs extreme effect compatibility and easily assignable hardware controls, you can turn your plug-ins J T
O audio warping with exceptional precision and sonic quality, so you can keep your into expressive live performance tools. Call up a fl anger effect and layer on LFOs—or O
O Torq 1.5 software incorporates several new features that improve the user interface entire mix in key. mix in feedback loops from a delay effect and control it all from the assignable knobs O
L and provide new creative possibilities. The Hide Mixer option conserves screen L
S on Xponent. The system also provides everything you need to loop, reorder and remix S
space by removing the mixer from the user interface and expanding the fi le browser
Audio Production Centerpiece tracks on the fl y. With built-in controls for looping as well as a 16-cell, tempo-synced
window. The Browser Preview function lets you preview songs in your headphones
On stage and in the studio, Torq 1.5 provides the ideal centerpiece for your audio performance sampler, Torq makes it possible to grab loops and one-shot samples and
6 before loading them into a deck. New fi le list categories such as “Year” and production setup. Want to hook up your outboard gear? Torq can send and receive drop them wherever you like, all while staying perfectly in sync with the mix. 7
“Label” help with song organization—you can even hide and rearrange categories
MIDI clock, allowing total synchronization with drum machines, effects boxes and
for improved searching through your database. Torq 1.5 also displays a warning
other computers. Multiple DJs can now connect with each other and share the
message if you are exiting the program or loading a song onto a deck that’s already
same tempo across systems for improved collaboration between artists.
playing, preventing accidental set interruption during a live performance.
Torq Conectiv Vinyl
& CD Pack Torq Control Vinyl &
DJ Performance/Production System with Control
Torq Control CD
Vinyl and CDs
The Torq® Conectiv® hardware/software system is designed for DJs who want
to integrate the power of the computer with their turntables and DJ CD pllaayyeerrss.. IItt
features Torq 1.5 DJ software, the Conectiv USB bus-powered 4 x 4 audio inntteerrffaaccee Each Torq® Control CD and Torq Control Vinyl disc allows you to manipulate aauuddiioo fififi llleeess
P and Torq Control Vinyl/CDs. Torq provides a creative new way to work withh ddiiggiittaall in Torq using your favorite DJ CD player or turntable, respectively, with the saammee ffeeeell aasss PP
R fi les, while Conectiv delivers high-fi delity audio with all the right kinds of I/O—inncclluuddiinngg the real thing. Simply connect your turntable or DJ CD player to a Torq-comppaattiibbllee aauuddiioo RR
OD dual phono preamps. Use Torq Conectiv as a completely digital solution or pprroocceessss interface like the M-Audio Conectiv®, enable external control in Torq, and you’ll bbee aabbllee ttoo ccuuee ODOD
U your vinyl and CDs on the fl y. You can also create a hybrid digital/vinyl DJ rig wwiitthh tthhee and scratch your music just as if you were using the actual vinyl or CDs. Supeerr--ffaasstt rreessppoonnssee UU
C included Torq Control CDs and Torq Control Vinyl discs. And unlike most ddiiggiittaall DDJJ allows for even the most intricate scratching techniques, and bi-directional positioonniinngg eennssuurreess tthhaatt CC
T TT
G systems, the Conectiv interface works with third-party software as well. Torq precisely tracks the vinyl or CD for easy beat-juggling. Each disc or CD is ssoolldd iinnddiivviidduuaallllyy.. G G
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For a complete description of Torq software, see
page 6 in the product section, and The Future of DJ
Technology on pages 18-20 in the artist section.
“The most fun I’ve had DJ’n since I learned to scratch.” X-Session Pro
—DJ Revolution (DJ; Power 106)
USB MIDI DJ Controller
includes Torq DJ software 1/4” headphone output with volume control The X-Session® Pro USB MIDI controller is the easiest way to bring traditional DJ
includes 2 Torq Control Vinyl Discs and 2 Torq Control CDs crossfadable cue source with headphone split function mixer-style tactile control to the world of computer DJing and live performance. This
complete system features Torq® LE software and a hardware control surface that
4 x 4 USB audio interface with 16-bit/48kHz fi delity 1/4” microphone input (dynamic mics only)
fuses the standard controls of a two-channel DJ mixer with the transport and pitch
4 RCA inputs confi gurable for line-level or phono signals compatible with any Mac or PC software using ASIO or CoreAudio drivers controls of a turntable or DJ CD player. The mixer controls allow you to make smooth
4 RCA line outputs with +10dBV peak output level Pro Tools® M-Powered™ compatible* crossfades and adjust level, cueing and EQ parameters—while the integrated
2 mix knobs for blending between the audio input and computer output transport and pitch controls allow you to start, stop and beat match digital fi les.
X-Session Pro interfaces with any software that supports MIDI Learn, so you can
bring DJ-inspired crossfades and fi lter sweeps into your live performances as well
as studio productions.
4 MIDI sliders DJ mixer-inspired layout works with Torq and other software
“A Serato killer?! Never say never… Seeing
that supports MIDI Learn
the combination of the Conectiv… and 12 MIDI knobs includes Torq LE DJ software
the powerful Torq software, dangerous. on/off switch
10 MIDI buttons powered via USB
Watching it run on Windows XP on a
MacBook Pro, serious. Finding out that you MIDI crossfader class-compliant with Windows XP, *Driver installation required for
can also use your VST plug-ins seamlessly Vista and Mac OS X* multi-client operation.
into your digital DJ software, priceless.”
—Scratch
Premium Interface Technology
Torq LE Software
The Conectiv USB interface delivers world-class M-Audio technology, outfi tting
The included Torq LE software organizes everything you need to DJ into a single,
your digital DJ rig with two pairs of RCA stereo inputs and outputs, phono preamps
easy-to-use workspace. Two virtual decks let you load, cue and play back digital
and a microphone input. Two large knobs allow you to seamlessly mix between
fi les—and will even automatically beat match the fi les in an instant. And just like a
the incoming analog audio from a turntable or CD player and the digital output of
traditional DJ setup, Torq LE includes an integrated two-channel mixer with three-
a connected Mac or PC. Conectiv also includes standard DJ cueing capabilities,
band EQ, level controls, headphone cueing, a crossfader and three effects.
so you can listen to any track in your headphones before sending it out to the house
system. And with a maximum output level of +11dBV, Conectiv gives you enough
volume to go toe-to-toe with any DJ hardware on the market.
Traditional Feel
The included Torq Control Vinyl records and Torq Control CDs allow you to manipulate digital audio fi les
with the same feel and response as a traditional DJ setup. Simply connect your turntables or DJ CD players
to Conectiv, enable external control in Torq, and you’ll be able to cue and scratch your music just as if you
were using the original records or CDs. Extremely low latency and super-fast response allow for battle-style
DJ spclaryabtcahcikn gb etehcahven iqlikuee as taranddi teioansayl tbuernatta jbugleg olinr ga . DTJo rCqD a lpsloa yinecr—luadneds t hmeurelti pisl ee voepne ara htiynbgr imd omdoedse tthhaatt cbalenn mdsa kthee Torq— mIf yuosuic’r,e T othreq tmypaek eosf Dit Je washyo. Ilnik easd dtoit igoent tyoo yuor uhra Mnd-sA uodni oyo DuJr DJDJ
TO strengths of both vinyl and CD-style control. choarndtrwoallerer—, liykoeu t hcea Tnri gugseer FTinogrqe r™w iothr eavneyn tshtea nOdxayrgde nM aInDdI TO TO
OL Made Axiom® line of keyboard controllers. Simply connect one of OLOOOOOOOOOOOOOOOLLLLLLLLLLLL
S these devices and start mapping controller data. For SSSSSS
Universal Compatibility
for instance, you could control the onboard effects within Torq
While Torq and Conectiv are designed to work together seamlessly, Conectiv is also compatible with any Mac
with the sliders on the Trigger Finger while reserving the
8 or PC software using CoreAudio and ASIO drivers—delivering low-latency performance as a recording interface 99
pads for snapshot settings that allow you to instantly switch
for DAWs like Ableton Live, Logic, Cubase, Digital Performer and more. Of course, it’s also compatible with Pro MIDI
between virtual mixer set-ups. The options are limitless. See
Tools M-Powered software* as your entrance into the world of professional recording.
page 52 for more information.
* Requires Pro Tools M-Powered 7.3 or higher. Pro Tools M-Powered 7.3 and higher are paid upgrades from previous versions.
AUDIO INTERFACES
P
R
O
D The name M-Audio is synonymous with the mobile studio revolution. Choose from a wide range of interfaces tailored to the way
U you work—including mobile production, fi eld recording and desktop recording. Options include PCI, USB or FireWire connectivity,
C
T as well as integral mic/instrument preamps, MIDI, digital I/O, multiple headphone outputs and surround pass-through.
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Photo by Joshua Merrill
Onboard DSP Mixer and Router
Customize your setup and record the way you want thanks
to the power and fl exibility of the ProFire 2626 onboard DSP
mixer and router. Use the router to select from up to 52 audio
streams and send them to any of the 26 hardware outputs.*
The adaptable onboard DSP mixer allows you to select from
any of the 26 hardware inputs and 26 software returns as
sources for any of its 18 input channels—allowing you to
create up to eight stereo mixes. You can also create presets
and instantly recall these setups at a later date.
*Routing in stereo pairs.
PPPPPPP P
RRRRR High-Defi nition 192kHz Sound and R
OOO Solid Performance O
DDD ProFire 2626 ProFire 2626 employs high-quality converters to deliver D
UUU U
CCC sampling rates up to 192kHz for pristine, high-defi nition C
TTT sound quality. The unit also features critically acclaimed T
G G High-Defi nition 26-In/26-Out FireWire Audio Interface with Octane “The audio quality is extremely good… The software JetPLL technology to provide extremely stable synchronization G
U U
ID Preamp Technology integration is superb too, with the easy-to-use control and eliminate jitter that can degrade audio quality. In addition, ID
E Building on a legacy of award-winning FireWire audio interfaces, the M-Audio® ProFire™ 2626 delivers next- panel always available if you’re looking to re-route ProFire 2626 allows master or slave operation via internal E
2 generation performance to your PC or Mac host-based recording system. This powerful interface provides 26 inputs or assign feeds to the headphone ports.” clock, ADAT optical, S/PDIF and word clock. M-Audio’s 2
00 x 26 simultaneous I/O, complete with an onboard DSP mixer sourced from up to 52 audio streams. It features —Future Music mature, stable drivers deliver solid performance and ultra- 00
9 every kind of connection you need—including award-winning Octane™ preamp technology on all eight analog low latency. Complete with Octane preamp technology adjust the DSP mixer and router 9
inputs, ADAT, S/PDIF, word clock and MIDI. Premium A/D-D/A converters and critically acclaimed JetPLL jitter “Some vintage pres you get for a certain sound, but and premium A/D-D/A converters, you won’t fi nd a better via the software control panel
elimination technology ensure pristine audio quality and reliable synchronization all the way up to high-defi nition you can’t use them on everything. I woudn’t hesitate sounding or more fl exible host-based audio interface.
24-bit/192kHz resolution. Low-latency drivers and compatibility with most major DAWs—including Pro Tools® to use the ProFire 2626 pres on anything.” —Buddy Miller
M-Powered™* software—complete the best-sounding, most fl exible host-based audio interface available. (Grammy-nominated singer-songwriter)
up to 24-bit/192kHz for high-defi nition audio 8 1/4” TRS balanced line outputs standalone 8 mic pre/8-channel
Professional Connectivity for the Most
8 analog inputs sourced from: 2 1/4” TRS headphone outputs A/D-D/A converter MIDI Keyboard Demanding Projects
• 8 XLR mic inputs with phantom power 1 x 1 MIDI I/O (via included breakout cable) JetPLL jitter elimination technology DAT ProFire 2626 features essential connectivity for any studio,
• 8 1/4” TRS balanced line inputs sync options include internal clock, ADAT Word Clock DAT ADAT delivering rock-solid stability and optimal sound quality.
word clock I/O (via included breakout cable)
• 2 1/4” TS instrument inputs optical, S/PDIF and word clock Mic, Keyboard, Analog inputs are sourced from the eight combo jacks as
optical I/O: 8 preamps with award-winning compatible with most popular DAWs including CD Player either XLR mic or 1/4” TRS balanced line inputs. In addition,
• 2 x 2 S/PDIF (on optical port B) or Octane technology Pro Tools M-Powered* analog channels 1 and 2 provide easily accessible 1/4”
• I 1V6 m x o1d6e )ADAT (8 x 8 in S/MUX II mode, 4 x 4 in S/MUX ufl esexirb-ales soingbnoaabrled mDaSsPte mr vixoelru:me knob includes Live Lite cToSn ninescttrourms epnrto vjaidcek sb aolann ctehde lifnroen ot uptpauntesl .f oEr imghotn i1to/4rin” gT aRnSd
b2r xe a2k coouat xciaabl Sle/)PDIF (via included •• c sseorelfetawcteta frureop rm eto tau 8nrn yss ot eaf rsteh oseo m2uri6xc eehssa rfdowr iatsre 1 in8p inuptsu at ncdh a2n6n els a1*frRro8eem xqp 1uamii8dr-ea Iusu/O pdPgi orwro.ac hdToeoemnos )l us fors oMrin mh-gPi g pPohrwreeovre .iT orPeoudroso l s7 vT. e4Mor os(-wPlisoo intMwhs -.ed PMrooewawdx.neimlroeuadmd 7a 9.b46l eak nHudpz d haaingtdeh er PowMeAixrmeindpg lM iDfioeenrsiktors fivnrioaten r2tf-a pcxa inn2eg l S wh/eiPtahDd oIpFthh oaennr edo uj1atbc6ok sxa rfd1e 6ag teuAarDer. AsDTei gpLiatigaralh tIte/pO isp oeisu. rTacvheaesi laatwbnldoe
EQ, Mixer independent level controls for additional cue mixing fl exibility.
Computer FireWire Pro Tools M-Powered Compatible
ProFire 2626 is an extremely powerful interface for Pro Tools
TAhhawveea q prudraa-liiWstye iodnf i nnyo itnhuger p MOre-cAatmuadnpiose O isP ccrteraitanicmea el ptigo T hheto-ccwhh anynoonuleor l mgstyuasnidc asloonuen dpsr.e PamropF—ireg i2vi6n2g6 y ofeua pturirsetsin eth aeu sdaiom fie d aewlitay rrdig-whti nfrnoimng t hOec sttaanret o tef ycohunro sloiggnya tlh paatt rhe. vInie awdedristi oann dto a euxdcieop ptiroonfeasl ssioounnadls, Power1 2V DC 3.5A 1—23V.5 DA+C WSo/MrPdID DCIIFlock IInn BAOpticalOOuutt BA 78 56 Line Ou34tputs 12 8 7 6 5 Mic/Line In4puts 3 2 1 rMou-Pnodw oeuret da.*n* Finlecxriebdleib Il/eO r, etocopr-dqiunagli tye nsvoiruonndm aenndt ltohwat laiste nfi lcey-
each preamp has a generous 75dB gain range, 48V phantom power and a -20dB pad. Supply rear compatible with many other pro and project studios around
the world.
**Requires Pro Tools 7.4 (with downloadable update from m-audio. com)
or higher. Pro Tools M-Powered 7.4 and higher are paid upgrades
from previous versions. Maximum 96kHz and 18 x 18 I/O when using
UThsee rP-rAoFsisreig 2n6a2b6le in Mtearfasctee rd Veolivleurms ae Cneown tlerovell of fl exible control via the programmable master volume knob. It’s Inst Clip-2P01udllB Inst Clip-2P02udllB Clip -2P30udllB Clip -2P40udllB Clip -2P50udllBClip -2P60udllB Clip -2P70udllB Clip -2P08udllB PPhaonw1teo-4rm Headp1hones Head2phones VMoalusmteer Power Pro Tools M-Powered.
assignable to any or all of the four analog output pairs, so you can choose which output pair will feed your main monitors. MiIcn/sLtine Mic Gain MiIcn/sLtine Mic Gain Mic Gain Mic Gain Mic Gain Mic Gain Mic Gain Mic Gain 5-8 Level Level
You can also choose whether the master volume knob infl uences either or both of the two headphone outputs, or front
operates independently of them. In addition, you can assign the master level control to all four output pairs to uniformly
attenuate up to a 7.1 surround mix.
A A
U U
D D
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IN IN
TE “… used as a standalone outboard box, I found the pres clear enough to “As a superhighway of audio inputs and outputs for one’s computer, the Guitar/Bass TE
R warrant running drums, guitar and vocals through it on a rock session without M-Audio ProFire 2626 is one of the most sophisticated interfaces I’ve ever R
F even hooking it up to my computer… and I have many, many boutique pres in used. It is the best sounding DAW interface I’ve ever owned, with converters Headphones F
A A
C my collection from which I can choose.” —EQ (July 2008) and mic preamps of a quality that would have been undreamed of just a few C
E years ago at this price level. I recommend it highly.” — Dr. Frederick J. Bashour, E
S S
Pro Audio Review
12 Standalone Operation 13
ProFire 2626 doubles as a standalone eight-channel preamp, eight-channel A/D-D/A converter and digital format converter. In standalone mode, the eight analog inputs route
to the fi rst eight ADAT optical outputs. This facilitates use of the line, instrument and mic ins—including preamps—with other gear. Similarly, the fi rst eight ADAT optical inputs
feed the eight analog outputs to provide D/A functionality for other digital devices. You can also disable the D/A conversion to allow the analog input channels to route to both “The ProFire 2626’s functionality and versatility kinda scares me. As a
studio owner who’s spent a lot on pres, A/D converters, etc., units like
the analog and ADAT optical outputs—transforming ProFire 2626 into a standalone eight-channel mic pre with eight discrete analog outputs plus eight-channel ADAT output.
this make me feel like I’ve wasted a lot of money. I mean, what’s next?
When the second optical port is not used for A/D conversion, ProFire 2626 can also convert coaxial S/PDIF to optical S/PDIF. Large-format consoles for under $5000?” —EQ (July 2008) software control panel settings tab
ProFire Lightbridge
34-In/36-Out FireWire Lightpipe Interface
ProFire™ Lightbridge interfaces up to four Lightpipe devices with a PC or Mac via FireWire—perfect for integrating digital mixers, A/D-D/A converters and/or ADATs with most
popular DAW software. The unit is capable of 32 channels of Lightpipe I/O, two channels of S/PDIF I/O and two-channel analog output for a total of 34 x 36 concurrent
channels. ProFire Lightbridge can output word clock as a master, or slave to external sync on any input, and MIDI I/O also accommodates MIDI Time Code and MIDI Machine
Control. Independent volume controls are provided for the 1/4” balanced outputs and front-panel 1/4” headphone jack. ProFire Lightbridge is compatible with most DAWs
including Pro Tools® M-Powered™* software.
P “… the ProFire Lightbridge is an P
R R
extremely cost-effective way to
O O
D add many channels of digital I/O D
U ProFire 610 to a FireWire-equipped computer.” U
C —Tape Op C
T T
G G
U High-Defi nition 6-In/10-Out FireWire Audio Interface with Octane Preamp Technology U
ID ID
Designed by the company that revolutionized mobile music production, the ProFire™ 610 FireWire audio interface transforms your Mac or PC into a powerful 6-in/10-out
E E
20 roeffceor rcdlienagn s, tturadnios.p Parreemnti usmou dnidg iwtailt hc olonwve nrtoeirsse daenldiv eerx hciegpht-idoenfia nl hitieoand, r2o4o-mbi.t /O19nb2okHarzd aDudSioP tmhrioxiunggh poruotv tidhees s aig tnoatla pllya tflh e. xTiwbloe prerceoamrdpinsg w eixthp earwieanrcde-w—pinenrifnegc tO focrt acnreea™ti ntegc mhnuoltliopgley, 32-channel Lightpipe I/O at 44.1 or 48kHz 1/4” front-panel headphone out with dedicated Transfers 20
0 Need to transfer tracks between an ADAT 0
9 independent monitor mixes. The user-assignable master volume knob gives you fl exible control over output levels. MIDI I/O allows you to connect keyboards and other 16-channel Lightpipe I/O at 88.2 level control system and your computer? ProFire 9
outboard MIDI hardware. The half-rack-space unit also doubles as a standalone two-channel microphone preamp and A/D-D/A converter. ProFire 610 is compatible with
or 96kHz using S/MUX up to 24-bit/96kHz operation Lightbridge does it with ease. Send up to
most major DAWs including Pro Tools® M-Powered™* software, making it an unbeatable choice for personal, high-defi nition recording.
S/PDIF I/O (via included breakout cable, coax) FireWire connectivity to computer 32 channels of Lightpipe simultaneously
at 44.1 or 48kHz—or transfer up to 16
2 1/4” TRS analog outputs with indicators for sample rate, Lightpipe I/O,
channels at 88.2 or 96kHz using the
dedicated level control MIDI I/O, sync source and power
S/MUX protocol.
up to 24-bit/192kHz for high-defi nition audio 10 outputs including: user-assignable master volume knob all analog and digital I/O active simultaneously Kensington lock slot
fl exible onboard DSP mixer • 8 1/4” TRS balanced line outs powered via FireWire bus or (total of 34 x 36 concurrent channels at 44.1 half-space rack chassis, optional mounting tray Live Multitrack Recording
2 preamps with award-winning M-Audio • stereo S/PDIF out external power supply or 48kHz; 18 x 20 at 88.2 or 96kHz) compatible with most major DAWs Combine ProFire Lightbridge with up to
Octane technology: 2 1/4” TRS headphone outputs half-rack-space form factor fi ts word clock I/O (via included breakout cable, BNC) including Pro Tools M-Powered* four eight-channel preamps and you have a
• phantom power built-in 1 x 1 MIDI interface in Universal Rack Tray MIDI I/O (via included breakout cable) includes Live Lite compact system ready to record up to 32
• 20dB pad on each preamp 2 FireWire (IEEE 1394) ports compatible with most major audio software * Requires Pro Tools M-Powered 7.3 or higher. Pro Tools 7.3 channels of input for live shows.
• signal/peak LED indicator lights including Pro Tools M-Powered* and higher are paid upgrades from earlier versions of Pro Tools
JetPLL jitter elimination technology
6 inputs including: includes Live Lite M-Powered. Pro Tools M-Powered currently supports a maximum of
standalone operation as 2 mic pre/2-channel four 8-channel preamps = 32 inputs 18 x 18 I/O.
• 2 XLR/TS combo jacks for mics or instrument level inputs
A/D-D/A converter
• 2 1/4” TRS balanced line inputs
*Requires Pro Tools M-Powered 8.0 or higher. Pro Tools M-Powered
• stereo S/PDIF in 8.0 is a paid upgrade from previous versions.
Onboard DSP Mixer Professional-Quality Design—To Go
ProFire 610 features an onboard DSP mixer, giving you an extra level of fl exibility and improving Once upon a time, choosing a mobile recording interface meant
the overall performance of your system. Use the software control panel to create custom sacrifi cing some of the features and quality found in big-budget studio
confi gurations for different recording setups, then save the settings and instantly recall them equipment. Now ProFire 610 changes the game by delivering the same
later. You can set up fi ve unique stereo mixes sourced from any of the hardware inputs and advanced technology and design elements found in our acclaimed
software returns simultaneously—ideal for assigning separate monitor mixes to multiple ProFire 2626 recording interface. Harness the power of award-winning
musicians. The onboard DSP mixer also enables you to monitor while tracking, just as you Octane preamp technology, DSP mixing and 24-bit/192kHz audio 32 Lightpipe tracks
would with your hardware mixer. resolution in a bus-powered unit perfect for recording on the go.
Connection Maximum Speed
USB 1.1 12Mbps FireWire Solo
USB 2.0 480Mbps
FireWire Mobile Audio Interface f or
FireWire 400 400Mbps
Songwriters/Guitarists
FireWire Solo is an easy-to-use, high-quality interface for
songwriters to record guitar, vocals and more on a Mac
A 6 x 4 24-bit/96kHz audio interface; 4 x 2 analog operation A
U or PC computer. Compatible with most music software, U
D microphone in (XLR) with 48V phantom power this compact bus-powered* unit features inputs for guitar, D
IO guitar input (1/4” unbalanced) microphone and line-level gear. FireWire connectivity, up IO
IN to 24-bit/96kHz and digital I/O all translate to outstanding IN
2 line inputs (1/4” unbalanced) on rear panel
TER High-Defi nition 192kHz Sound and Solid Performance 2 line outputs (1/4” TRS balanced/unbalanced) sonic performance. TER
F M-Audio designed the ProFire 610 using carefully selected components, F
A digital S/PDIF (coaxial) I/O w/ 2-channel PCM or A
C including premium A/D-D/A converters that keep your audio signal C
pass-through of surround-encoded AC-3 and DTS material
E uncolored and true to any input source. We engineered the electronic E
S S
circuitry to provide an optimal signal path between input and output, stereo headphone output (1/4” TRS) with level control
resulting in extremely clean recordings that capture every nuance of fl exible software-based routing/mixing with zero-latency monitoring
14 Award-Winning Octane Preamp Technology your performance. ProFire 610 also features critically acclaimed JetPLL 15
Great recordings start with great preamps. ProFire 610 brings you the same award-winning jitter-elimination technology for stable synchronization and exceptionally includes GT Player Express software
M-Audio Octane preamp technology that audio professionals trust for clean, transparent sound. low audio band jitter. Building on M-Audio’s time-proven FireWire driver powered via FireWire bus* or optional 12V DC power supply
Each preamp delivers low distortion and an extremely high signal-to-noise ratio—providing technology—found in the best-selling FireWire 410 interface—ProFire Pro Tools® M-Powered™ compatible; includes Live Lite
pristine audio fi delity right from the start of your signal path. In addition to exceptional sound, 610 delivers solid performance and reliability at sample rates up to
each preamp has a generous 75dB gain range, 20dB pad and 48V phantom power. 24-bit/192kHz. *Requires powered 6-pin FireWire connection.
ProjectMix I/O
10-Bit Touch-Sensitive Moving Faders
The motorized touch-sensitive faders on each of the eight channel strips and master strip
Control Surface with record and play back your changes, making for seamless mix automation. And touch
sensitivity means that when you touch a fader in motion, it immediately disengages for
Motorized Faders and
manual control and re-engages automation when you release. This provides for both
18 x 14 Audio Interface smoother operation and the elimination of motor burnout prevalent in older technologies.
Today, more professional music is produced at home than The ProjectMix I/O faders also feature higher resolution than other control surfaces in
ever before—and the ProjectMix I/O control surface delivers the same class.
what you need to take your Mac- or PC-based studio and
productions to the next level. Seamless integration with
P all major DAW software. The ability to record directly into P
RO industry-standard Pro Tools® sessions. Faders so you RO
D can feel the mix with your fi ngertips instead of dragging D
U a mouse. Onboard display of critical parameters for U
C C
T intuitive operation. Motorized control to craft more T
G accurate mixes. And professional multichannel I/O G
U including mic/instrument preamps, Lightpipe and Channel Strip U
ID S/PDIF. ProjectMix I/O is the universal solution that combines Simply press the bank +/- and channel +/- controls to map the eight channel strips ID
E to as many channels as your project requires. Each channel strip features all of E
2 the best of the hardware and software worlds for a new the functions you’d expect to help you zip through sessions, including buttons for 2
0 standard in streamlined production. Compatible with Pro It’s the box to buy if you use multiple 0
0 Tools M-Powered™ 7, Ableton Live, Logic,* Cubase,* Digital mic / line, record enable, mute, solo and select. In addition to a touch-sensitive motorized applications, especially if you want to have 0
9 Performer* and SONAR*. fader, each strip has an endless rotary encoder knob whose function is assigned Pro Tools as one of your options. It handles 9
by one of 15 dedicated buttons for EQ, aux send and more. Related information is and sounds thoroughly professional.”
displayed in the LCD window directly above each encoder. The encoders and LCD —Keyboard
double to control assigned plug-in parameters as well.
Complete Production Experience
Computer-based DAWs seem to have virtually no limitations—
except those imposed by using a mouse to do the job of
dedicated hardware. ProjectMix I/O fi nally puts all that tactile
control back under your fi ngertips. It also combines that
control with M-Audio’s acclaimed FireWire audio interface
technology, eliminating clutter while integrating everything
you need to transform your computer-based music system
into a full-fl edged digital audio workstation. ProjectMix I/O “… the ProjectMix’s cross-sequencer compatibilty, large LCD
supports both audio and MIDI integration with most digital display and integrated audio interface make it a superior choice
audio workstations. It also supports MIDI control only for all for project studios seeking a fl exible alternative to keyboard-
Pro Tools software. and-mouse mixing.” –Future Music
Transport Control
Total I/O Dedicated transport controls are another feature that makes sessions with ProjectMix I/O
ProjectMix I/O gives you just about every kind of I/O you might a breeze. You get illuminated controls for record, play, stop, fast forward and rewind, plus
need for a session. Eight analog input channels all feature Control I/O a jog/shuttle wheel and locate buttons for easy project navigation. Sets of keys for in/out
1/4” balanced and XLR microphone inputs with individual 8 touch-sensitive motorized channel faders 8 analog mic/line inputs (1/4” TRS and points, zoom, region nudge, looping and more will having you fl ying through sessions with
mic/line switches. Of course, phantom power is provided 1 touch-sensitive motorized master fader XLR balanced) with signal/peak indicators incredible effi ciency.
for up to eight condenser mics and input 1 even features a 4 analog outputs (1/4” TRS balanced)
8 assignable rotary encoders and large
front-panel instrument input so you can easily plug a guitar software control panel
LCD for channel or plug-in functions 8 x 8 ADAT Lightpipe I/O
or bass right in. ADAT Lightpipe I/O brings the simultaneous
input total to 16 and allows you to expand your system with mic/line, record enable, select, solo front-panel instrument input (1/4” TS)
devices like M-Audio’s award-winning Octane preamp. This and mute buttons on each channel switchable for input 1
allows for eight more preamp channels via Lightpipe. S/PDIF channel +/- and bank +/- keys 2 x 2 S/PDIF digital I/O “It’s hard to thumb your nose at a 30-pound
handles all your other digital connectivity, and word clock machine that functions like a baby SSL.”
illuminated transport controls for record, 1 x 1 MIDI I/O with activity LEDs
synchronizes ProjectMix I/O with other digital devices. —Scratch
play, stop, fast forward and rewind
FireWire (IEEE 1394) connectivity
jog/shuttle wheel with mode switch
ProjectMix I/O also serves as a 1 x 1 MIDI interface, allowing word clock I/O (BNC)
your computer to connect with MIDI hardware. Monitoring zoom key with 4 directional keys phantom power
Easy to Use
options include two 1/4” headphone outputs with separate dedicated keys for in/out points, locate,
2 stereo headphone outputs (1/4” TRS) M-Audio’s design team spent much time considering which features
volume controls for working with a partner, as well as two region nudge, loop and more
with independent level controls would provide the most value. They knew that high-resolution
stereo output pairs for routing to monitors, processors and
mixdown devices. There’s even an A/B headphone source A/B headphone source switch Kensington lock slot 10-bit touch-sensitive moving faders, large LCD display and
for cue auditioning mic/line switches on all channels were important. They also
monitoring switch for cueing. ProjectMix I/O brings all of this compatible with Pro Tools M-Powered 7,
function LED display for each channel discovered that much of the expense of other units on
to your computer with a single, simple FireWire connection. Ableton Live, Logic,* Cubase,* Digital
the market owed to a dizzying number of controls that
Performer* and SONAR*
many users found daunting. Our engineers opted for
includes Live Lite a streamlined design that places some functions
A *DAW software version must support Mackie Control, Logic under the control of the keyboard and mouse, AA
UD Control or HUI protocol. where they are best suited. The result is a UDUD
IO controller that doesn’t have much of a learning IOIO
IN curve and is more intuitive to use. Check out IN IN
T ProjectMix I/O at your local M-Audio dealer— TT
E we think you’ll agree. EE
R RR
F Total I/O FF
A AA
C ProjectMix I/O gives you just about CC
E EE
S every kind of I/O you might need for SS
a session—and at the same price
as many control surfaces lacking
16 audio altogether. 1177
“ProjectMix makes the recording process feel less like
programming a computer and more like performing a little
back-in-the-day… magic.” —Jazz Times
“Songwriters now need just one mixer for both the home studio More Live Uses
and performance. The NRV10 is clean enough to serve as a front There are endless live applications for NRV10.
end, and FireWire audio is versatile enough to be mixed well in Its fl exible monitor source assignment can
any venue.” —Performing Songwriter send the drummer a headphone click track—
and even lets your DAW’s automation change
effects and other parameters on the fl y for
“Large-sounding… killer stage-mixing capabilities, and thorough
different song sections. Or if you’re creating
FireWire integration make the [NRV10] the jack-of-all-trades
nerve center that it should be.” —Remix live dance music, the monitoring section lets
you audition material in your headphones
DJ-style before routing it to the main mix.
“There are subtleties in my music that can Have some soft synths? A laptop, NRV10
sometimes get lost through a live sound system, but and an M-Audio MIDI controller are a great
PPPPPPP the NRV10 has helped me enhance these details.” way to perform with them on stage. And if P
RRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRR —Kate Havnevik (singer/songwriter) you’re recording a band live, NRV10 lets you R
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easily record different players to separate
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UUU tracks using an application like Pro Tools U
CC “If you’re looking for a versatile audio interface M-Powered* software. C
TT but don’t want to give up the hands-on aspects T
G G of a physical mixing console, you’ll defi nitely want G
UU to check out the NRV10.” —Electronic Musician U
IDID ID
EE E
2 2 “If you have a laptop studio that needs to be mobile, the NRV10… Analog Heart, Digital Mind 2
00 0
00 simplifi es the setting up of a home studio, while saving the cost A FireWire digital interface is not a pricey extra 0
99 of buying a separate audio interface, monitor controller and option on NRV10. It’s built right in, giving you 9
either a small mixer or a number of dedicated mic preamps.” the best of analog mixing and digital recording
—Sound On Sound in a single package. The ability to route analog
inputs and outputs in conjunction with digital
tracks and busses provides for seamless creative fl ow without multiple Professional Mixer
hhiigghh--qquuaalliittyy 88 xx 22 aannaalloogg mmiixxeerr wwiitthh iinntteeggrraall 1100 x 10 FireWire audio interface
devices or constantly plugging and unplugging cables. The FireWire Featuring a durable metal chassis with optional rack-mount bracket, NRV10
2244--bbiitt//9966kkHHzz oonn aallll cchhaannnneellss interface and software drivers build on M-Audio’s years of experience can be used either with a computer or as an excellent standalone mixer.
44 mmoonnoo cchhaannnneellss,, 22 sstteerreeoo cchhaannnneellss,, eeaacchh wwiitth: perfecting digital audio interfaces to critical acclaim. You get unbeatable M-Audio’s award-winning Octane preamp technology assures best-of-class
NRV10 specs like pristine digital audio quality all the way up to 24-bit/96kHz. And performance. The unit features four stereo and four mono channels—and the
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unlike other FireWire mixers, NRV10’s ability to return multiple channels fi rst fi ve inputs have phantom-powered XLR mic inputs as well. Its design
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from your computer gives you much more fl exibility compared to simple features everything you’d expect in a professional mixer including balanced
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10 x 10 FireWire Digital Audio stereo returns. inputs, channel inserts for inline processing, two aux busses, 3-band EQ on
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Interface | 8 x 2 Analog Mixer with Effects each channel and a fl exible monitor section. There’s also a built-in effects
NRV10 combines an 8 x 2 analog mixer and a 10 x 10 24-bit/96kHz FireWire • effect send section with 16 effects so you don’t even need to burden the computer for
digital audio interface in one convenient package—the perfect tool for computer- • pan/balance basic effects—especially handy live or when practicing.
• volume fader with peak indicator LED
based recording and performance. Now you can route and record mixer
channels directly to individual tracks in most popular software studios—including • mute/cue button
Pro Tools® M-Powered™ software.* You can also return multiple discrete audio balanced XLR mic inputs with award-winning Octane technology, each
channels from your Mac/PC to NRV10 for CPU-free mixing and monitoring featuring mic/line switches
complete with onboard digital effects—great for doing live performances 1/4” insert jacks on all mono channels
without changing settings like EQ and reverb in your fi les while you play. The
3-band EQ on each channel
included NRV10 interFX™ application even allows you to turn your NRV10 and
host computer into a powerful live mixer with access to all of your VST effects. integrated digital effects processor with 16 effects, plus variations, mute,
NRV10 seamlessly integrates your computer with your studio—and bridges the and peak LED
gap between studio and stage as well. 2 mono aux sends and 2 stereo aux returns
both XLR balanced and 1/4” TRS balanced main outputs
headphone output with fl exible source assignment and DJ-style pre-listening
independent volume for mix, control room and headphones
Your Studio’s Nerve Center
included NRV10 interFX software facilitates live mixing with included dynamic
The eight analog inputs on NRV10 let you keep all of your favorite instruments
effects, VST compatibility and software recall:
and other gear connected while composing or practicing—even when your
• add real-time insert effects to each NRV10 channel
computer is off or disconnected. And, thanks to its integral 10 x 10 FireWire
interface, you can record any or all of them to computer-based tracks any time • built-in effects include compression and expansion-gating for each channel, fl anger, chorus,
distortion and delay
you wish. Conversely, you can also discretely return multiple channels of pristine
• host two VST plug-ins per channel
digital audio to the mixer for fl exible monitoring, mixing and processing. Inline
• save and recall setups to easily change effect confi gurations between songs
monitoring on the same channels from which you recorded means you can just
• instant setup through automatic confi guration with NRV10 hardware
leave your levels set where they are. Use the two aux busses to route to external
processors or create a custom headphone mix. In the studio, the NRV10 lets also functions as a standard analog mixer
you move seamlessly between writing, recording, practicing, editing and mixing durable metal chassis with optional rack-mount bracket
without ever needing to change cabling or connections.
compatible with major DAWs including Pro Tools M-Powered* (demo
included); includes Live Lite
A A
U *Requires Pro Tools M-Powered 7.3 or higher. Pro Tools M-Powered 7.3 and higher are paid upgrades U
D D
from earlier versions of Pro Tools M-Powered.
IO IO
IN The Missing Link for Live Computer Tracks NRV10 interFX Turns IN
TE Using computer-based tracks on live gigs used to require making and saving The included NRV10 interFX software for Windows and Mac TE
R software adjustments for parameters like levels, EQ and effects just so everything R
turns the NRV10 and your host computer into an even more
FA sounded right. Now that’s history. NRV10 gives you easy analog mixer control Your Computer into a FA
C over direct feeds from multiple computer-based tracks. Perfect your studio powerful mixing console complete with multi-effects processing. C
E E
S tracks, then just make temporary tweaks on NRV10 for live performances. As a The application adds a compressor, expander/gate and two VST S
bonus, you can run live vocals and more through the same processing you used Multi-Effects Processor
effect slots to each mixer channel—letting you process your live
on those studio tracks. You can even add built-in digital effects to tracks without
18 modifying your fi les. NRV10 puts you back in control of the mix that you and your instruments and mics with your favorite computer-based effects. 19
audience hear live. for the Stage Of course, you can also save and recall settings for later use. Now,
with the NRV10 and NRV10 interFX, you can bring the VST plug-in
>>>
effects you use in the studio to the stage.