Table Of Content1
Classicism
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& Romanticism
Editions
IN-18
With Other Studies in Art History
Frederick Antai
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Classicism and Romanticism
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BY THE SAME AUTHOR
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Classiacnids m
Romanticism
with other studies in art histor
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b Frederick Antal
y
Icon Editions
Harper & Row, Publishers
New York, Evanston, San Francisco, London
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STANDARD BOOK NUMBER: 06-430018-8
Contents
Lisotfp latveii s
Acknowledgxim ents
ForewboyrD da viCda rrixitii t
I ReflectioonnC sl assiacnidRs omm anti1c ism
2 Thep roblofe Mma nneriinst mhNe e therl4a7 nds
3 ObservaotnGi iornosl daamC oa rp1i07
4 ArouSnadl vi1a63t i
5 Mr.O ldhaamn dh iGsu esbtyHs ighmor1e67
6 Remaroknst hmee thoofad r t-hi1s75t ory
Inde1x91
Plataetes n do fb ook
v
Plates
When not otherwise stated the medium is oil
1 ALESSANDRO ALLORI: Pearl Fishing. Palazzo Vecchio, Florence.
(Photo: Alinari)
2a FEDERICO ZUCCARO: Last Judgment. Detail. Duomo, Florence.
(Photo: R. Soprintendenza, Firenze)
2b FEDERICO ZUCCARO: The Hunt. Uffizi, Florence. (Photo:
R. Soprintendenza, Firenze)
3a Rosso, engraved by CARAGLIO: Hercules and Achelaus
3b TADDEO ZUCCARO, engraving: Adoration of the Magi
4 STRADANus: The Mine. Studiolo di Palazzo Vecchio, Florence.
(Photo: Brogi)
s zuccHI: Circumcision. S. Silvestro al Quirinale, Rome
6a STRADANUS. Cartoon for tapestry: Porcupine Hunting. (Photo: Brogi)
6b SALVIATI. Drawing: The Seasons
7a PONTORMO: Martyrdom of St Maurice and the Ten Thousand. Pitti,
Florence. (Photo: Alinari)
7b CANDID. Drawing: March. Graphische Sammlung, Munich
Sa susTRIS. Drawing: Triumph of Galatea. Landesmuseum, Darmstadt
Sb SALVIATI: Beheading of Stjohn the Baptist. St Giovanni Decollato,
Rome
9a JACOPO zuccHI: Bacchus with attendants. Palazzo Ruspoli, Rome.
(Photo: Witt Library, Courtauld Institute)
'
9b GIOVANNI DE VECCHI. Fresco: Gideon and the Angel. Palazzo Farnese,
Caprarol a
vii
Plates
IO RAFFAELLINO DA REGGIO: Ecce Homo. S. Lucia del Gonfalone
II BARTOLOMEUS SPRANGER: Martyrdom of St John. St Giovanni a Porta
Latina, Rome. (Photo: R. Moscioni)
12a WTEWAEL: The Flood. Germanisches Nationalmuseum, Nuremberg
12b WTEWAEL: Judgment of Paris. Museum of Fine Arts, Budapest
lJa AERTSEN: Crucifixion
13b FLORIS: Seagods. Nationalmuseum, Stockholm
14 ABRAHAM BLOEMART: Niobides. Royal Museum of Fine Arts,
Copenhagen
15 MABUSE: Venus. Rovigo. (Photo: Alinari)
l6a BLOCKLANDT: Joseph before Pharaoh. Centraal Museum, Utrecht
16b BLOCKLANDT, engraved by PH. GALLE: Temptation of Lot
l7a FLORIS: Judgment of Solomon. Museum of Fine Arts, Antwerp
17b FLORIS, engraved by PH. GALLE: Temptation of Lot
l Sa Go LT z IUs , engraved by MAT HAM: Christ and the Woman of Samaria
18b GOLTZIUS, engraving: Honor and Opulentia
19 MARTIN DE vos: Paul and Barnabas at Lystra. Royal Museum of Fine
Arts, Brussels
2oa JACQUES LOUIS DAVID. Study in pen, ink and wash for a figure in the
Oath of the Horatii. Musee Bonnat, Bayonne. (Photo: Witt Library,
Courtauld Institute)
20b JACQUES LOUIS DAVID. Drawing: Lepelletier de Saint Fargeau.
Bibliotheque Nationale, Paris
21 JACQUES LOUIS DAVID: The Oath of the Horatii. 1784. Louvre, Paris
22 FRANyOIS ANDRE VINCENT: Mole and the Partisans of the Fronde.
1779. Chambre des Deputees, Paris
23a ROBERT MENAGEOT: Death of Leonardo da Vinci. l78I. Collection
Mairet, Paris
23b JACQUES LOUIS DAVID: Portrait ofBarere. Baron Lambert Collection.
(Photo: Witt Library, Courtauld Institute)
24a ANNE-LOUIS GIRODET: Pieta. 1787. Musee Fabre, Montpellier
24b NICOLAS-GUY BRENET: The Magnanimity of Bayard. 1783. Museum,
Grenoble. (Photo: Witt Library, Courtauld Institute)
viii
Plates
25 ANNE-LOUIS GIRODET: Atala's Burial. 1808. Louvre, Paris
26 ANNE-LOUIS GIROD ET: Ossian receiving Napoleon's Generals. I80I.
Malmaison
27a ANNE-LOUIS GIRODET: Mlle Lange as Danae. I799· Brinquant
Collection, Paris. (Photo: Witt Library, Courtauld Institute)
27b FRAN90IS GERARD: Ossian playing the Harp. Formerly Schloss, Berlin
28a GERICAULT: White Cat. Glyptotek, Copenhagen
28b GERICAULT: Oxen driven to the Slaughterhouse. Fogg Museum,
Cambridge, Mass
29a GERIC A ULT: Officer of the Imperial Guard. Musee Bonnat, Bayonne
29b GERI CA ULT: Cartload of Wounded Soldiers. J. Hugh-Smith Collection.
(Photo: Witt Library, Courtauld Institute)
3oa GERICAULT: Jockeys. Musee Bonnat, Bayonne
3ob GERICAULT: Race of Riderless Horses. Walters Art Gallery, Baltimore
3ra GERICAULT: Raft of the Medusa. I820. Louvre, Paris
3rb GERICAULT. Lithograph: Entrance to the Adelphi Whar£ (Photo:
Giraudon)
32a GIROLAMO DA CARPI: Adoration of the Magi. S. Martino, Bologna.
(Photo: Alinari)
32b GERIC AU LT. Drawing: Slave Trade. Ecole des Beaux-Arts, Paris
33a GERICAULT: Le Four a Platre. Louvre, Paris
33b PERUZZI: Adoration of the Magi. National Gallery, London
34a GIROLAMO DA CARPI: Portrait of a Lady. Hampton Court Palace
34b GIROLAMO DA CARPI: Madonna. Detail of the Adoration of the Magi,
S. Martino, Bologna. (Photo: Alinari)
35a PONTORMO: Portrait of a Lady. Stadel Institut, Frankfurt
35b PARMIGIANINO: Portrait of Antea. Detail. Museo e Galleria Nazionale
di Capodimonte, Naples. (Photo: Anderson)
36a ALFONSO LOMBARDI. Relief: Adoration of the Magi. s. Domenico,
Bologna
36b BATTISTA DOSSO and GIROLAMO DA CARPI: One of the Horae with
the Steeds of Apollo. Gemaldegalerie, Dresden
37a PER u z ZI. Fresco: Ganymede. Famesina, Rome. (Photo: Anderson)
37b GIROLAMO DA CARPI: Ganymede. Gemaldegalerie, Dresden
ix
