[D&D 5 E] Dungeon Master’s Guide

320 Pages·2014·85.7 MB·English

by  Wizards RPG Team

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CE
620A921900000l EN
ISBN: 978-0-7869-6562-5
First Printing: December 2014
987654321
Disclaimer: Wizards of the Coast does not officially endorse the following u;c:-·c:s. ,..,. cr. are gJarorue.td to maximize your enjoyment as a Dungeon Master. First, always keep a straight face and
say OK no matter how ludicrous or doomed the players' plan ofa ction is. Suo,. a ra tr.a:-~r ....... a: happens, pretend that you intended all alongfor everything to unfold the way it did. Third, if
you're not sure what to do next, feign if/ness, end the session early, and plor yo;.~r-rt.r: rr.o .. ~. ,.er. a/ else fails, roll a bunch of dice behind your screen, study them for a moment with a look of
deep concern mixed with regret, let loose a heavy sigh, and announce that T10rra: ~frorP:" =~e s and attacks.
DUNGEONS & DRAGONS, 0&0, Wizards of the Coast, Forgotten Realms. rr~ ::7~,... ... =--~"'0~ Poyer's Handbook, Monster Manual, Dungeon Moster's Guide, all other Wizards of
the Coast product names, and their respective logos are trademarks ofWiza""".s : :.-~ ~st -~re SA and other countries. All characters and their distinctive likenesses are property
of Wizards of the Coast. This material is protected under the copyright laws o: ·-e -:.e= S:z:es or A~erica. Any reproduction or unauthorized use of the material or artwork contained
herein is prohibited without the express written permission of Wizards of toe Coa:s:
•· .-factored by Hasbro SA, Rue Emile-Boechat 31, 2800 Delemont, CH.
CONTENTS
INTRODUCTION 4 Unusual Environments .............................................. 116
Traps .............................................................................. 120
The Dungeon Master ....................................................... 4
How to Use This Book ................................................... .4 CHAPTER 6: BETWEEN ADVENTURES ............ 125
Know Your Players ........................................................... 6 Linking Adventures .................................................... 125
Campaign Tracking ..................................................... 126
PARTl 7 Recurring Expenses ................................................... 126
Downtime Activities ................................................... 127
CHAPTER 1: A WORLD OF YOUR OWN ................ 9
CHAPTER 7: TREASURE ......................................... 133
The Big Picture ................................................................. 9
Types of Treasure ....................................................... 133
Gods of Your World ........................................................ 10
Random Treasure ....................................................... 133
Mapping Your Campaign ............................................... 14
Magic Items. ................................................................. 135
Settlements .....................................................................1 5
Sentient Magic Items ................................................. 214
Languages and Dialects ............................................... 20
Artifacts ......................................................................... 219
Factions and Organizations ......................................... 21
Other Rewards ............................................................ 227
Magic in Your World ..................................................... 23
Creating a Campaign ................................................... 25
PART3 233
Campaign Events .......................................................... 26
Play Style ........................................................................ 34 CHAPTER 8: RUNNING THE GAME ................. 235
Tiers of Play. ................................................................... 36 Table Rules ................................................................... 235
Flavors of Fantasy ........................... :. ........................... 38 The Role of Dice .......................................................... 236
CHAPTER 2: CREATING A MULTIVERSE ......... 43 Using Ability Scores .................................................. 237
The Planes ..................................................................... 43 Exploration ................................................................... 242
Planar Travel ................................................................. 44 Social Interaction ....................................................... 244
Astral Plane ........................................: . ......................... 46 Objects ........................................................................... 246
Ethereal Plane ............................................................... 48 Combat .......................................................................... 247
Feywild .... :. ...................................................................... 49 Chases ........................................................................... 252
Shadowfell ............................................................. ' .......... 51 Siege Equipment ............................................. ,. .......... 255
Inner Planes .................................................................... 52 Diseases ........................................................................ 256
Outer Planes .................................................................. 57 Poisons .......................................................................... 257
Other Planes .................................................................. 67 Madness ........................................................................ 258
Known Worlds of the Material Plane ....................... 68 Experience Points ....................................................... 260
CHAPTER 9: DuNGEON MASTER's
PART2 69 WORKSHOP .................................................................. 263
Ability Options ............................................................. 263
CHAPTER 3: CREATING ADVENTURES ............ 71
Adventuring Options .................................................. 266
Elements of a Great Adventure ..................................7 1
Combat Options .......................................................... 270
Published Adventures .................................................. 72
Creating a Monster ..................................................... 273
Adventure Structure .................................................... 72
Creating a Spell.. ......................................................... 283
Adventure Types ........................................................... 72
Creating a Magic Item ............................................... 284
Complications ................................................................ 79
Creating New Character Options ............................ 285
Creating Encounters ..................................................... 81
Random Encounters .................................................... 85
APPENDIXA: RANDOM DUNGEONS 290
CHAPTER 4: CREATING NONPLAYER
Starting Area ............................................................... 290
CHARACTERS ................................................................ 89
Passages ....................................................................... 290
Designing NPCs ........................................................... 89
Doors ............................................................................. 291
NPC Party Members .................................................... 92
Chambers ..................................................................... 291
Contacts .......................................................................... 93
Stairs ............................................................................. 291
Hirelings ......................................................................... 94
Connecting Areas ....................................................... 292
Extras .............................................................................. 94
Stocking a Dungeon ................................................... 292
Villains ............................................................................ 94
Villainous Class Options ............................................. 96 APPENDIX B: MONSTER LISTS 302
CHAPTER 5: ADVENTURE ENVIRONMENTS ... 99
Dungeons ........................................................................ 99 APPENDIX C: MA-P-S- -----------------3-1-0
Mapping a Dungeon ................................................... 102
Wilderness .................................................................... 106
APPENDIX D: DUNGEON
Mapping a Wilderness ............................................... 108
Wilderness Survival ................................................... 109 MASTER INSPIRA-T-I-O-N-- -----------3-1-6
Settlements .................................................................. 112
Mapping a Settlement.. ............................................... 114 INDE-X- --------------------------3-1-7
Urban Encounters ..............: . ........................................ 114
INTRODUCTION
T'S GOOD TO BE THE DUNGEON MASTER! NOT ONLY How TO UsE THIS BooK
d? y~u get to tell fantastic stories about heroes,
r v1llams, monsters, and magic, but you also get This book is organized in three parts. The first part
to create the world in which these stories live. helps you decide what kind of campaign you'd like to
Whether you're running a D&D game already run. The second part helps you create the adventures
or you think it's something you want to try, this the stories-that will compose the campaign and
book is for you. keep the players entertained from one game session
The Dungeon Master's Guide assumes that you know to the next. The last part helps you adjudicate the
the basics of how to play the D&D tabletop roleplaying rules of the game and modify them to suit the style of
game. If you haven't played before, the DuNGEONS f!f> your campaign.
DRAGONS Starter Set is a great starting point for new
PART 1: MASTER OF WORLDS
players and DMs.
This book has two important companions: the Player's Every DM is the creator of his or her own campaign
Handbook, which contains the rules your players need world. Whether you invent a world, adapt a world from
to create characters and the rules you need to run the a favorite movie or novel, or use a published setting for
game, and the Monster Manual, which contains ready-to the D&D game, you make that world your own over the
use monsters to populate your D&D world. course of a campaign.
The world where you set your campaign is one of
THE DUNGEON MASTER countless worlds that make up the D&D multiverse,
a vast array of planes and worlds where adventures
The Dungeon Master (DM) is the creative force
happen. Even if you're using an established world such
behind a D&D game. The DM creates a world for the
as the Forgotten Realms, your campaign takes place
other players to explore, and also creates and runs
in a sort of mirror universe of the official setting where
adventures that drive the story. An adventure typically
Forgotten Realms novels, game products, and digital
hinges on the successful completion of a quest, and
games are assumed to take place. The world is yours to
can be as short as a single game session. Longer
change as you see fit and yours to modify as you explore
adventures might embroil players in great conflicts that
the consequences of the players' actions.
require multiple game sessions to resolve. When strung
Your world is more than just a backdrop for
together, these adventures form an ongoing campaign.
adventures. Like Middle Earth, Westeros, and countless
A D&D campaign can include dozens of adventures and
other fantasy worlds out there, it's a place to which you
last for months or years.
can escape and witness fantastic stories unfold. A well
A Dungeon Master gets to wear many hats. As the
designed and well-run world seems to flow around the
architect of a campaign, the DM creates adventures
adventurers, so that they feel part of something, instead
by placing monsters, traps, and treasures for the other
of apart from it.
players' characters (the adventurers) to discover. As
Consistency is a key to a believable fictional
a storyteller, the DM helps the other players visualize
world. When the adventurers go back into town for
what's happening around them, improvising when the
supplies, they should encounter the same nonplayer
adventurers do something or go somewhere unexpected.
characters.(NPCs) they met before. Soon, they'll learn
As an actor, the DM plays the roles of the monsters and
the barkeep's name, and he or she will remember
supporting characters, breathing life into them. And as a
theirs as well. Once you have achieved this degree of
referee, the DM interprets the rules and decides when to
consistency, you can provide an occasional change. If
abide by them and when to change them.
the adventurers come back to buy more horses at the
Inventing, writing, storytelling, improvising, acting,
stables, they might discover that the man who ran the
refereeing-every DM handles these roles differently,
place went back home to the large city over the hills,
and you'll probably enjoy some more than others. It
and now his niece runs the family business. That sort of·
helps to remember that DUNGEONS & DRAGONS is a
change- one that has nothing to do with the adventurers
hobby, and being the DM should be fun. Focus .on the
directly, but one that they'll notice- makes the players
aspects you enjoy and downplay the rest. For example, if
feel as though their characters are part of a living world
you don't like creating your own adventures, you can use
that changes and grows along with them.
published ones. You can also lean on the other players
Part 1 of this book is all about inventing your world.
to help you with rules mastery and world-building.
Chapter 1 asks what type of game you want to run, and
The D&D rules help you and the other players have
helps you nail down a few important details about your
a good time, but the rules aren't in charge. You're the
world and its overarching conflicts. Chapter 2 helps you
DM, and you are in charge of the game. That said, your
put your world in the greater context of the multiverse,
goal isn't to slaughter the adventurers but to create a
expanding on the information presented in the Player's
campaign world that revolves around their actions and
Handbook to discuss the planes of existence and the
decisions, and to keep your players coming back for
gods and how you can put them together to serve the
more! If you're lucky, the events of your campaign will
needs of your campaign.
echo in the memories of your players long after the final
game session is concluded.
INTRODUCTION
4
PART 2: MASTER OF ADVENTURES example, a player might want his or her character to
hurl a brazier full of hot coals into a monster's face.
Whether you write your own adventures or use
How you determine the outcome of this action is up to
published ones, expect to invest preparation time
you. You might tell the player to make a Strength check,
beyond the hours you spend at the gaming table. You'll
while mentally setting the Difficulty Class (DC) at 15.
need to carve out some free time to exercise your
If the Strength check is successful, you then determine
creativity as you invent compelling plots, create new
how a face full of hot coals affects the monster. You
NPCs, craft encounters, and think of clever ways to
might decide that it deals ld4 fire damage and imposes
foreshadow story events yet to come.
disadvantage on the monster's attack rolls until the end
Part 2 of this book is devoted to helping you create
of its next turn. You roll the damage die (or let the player
and run great adventures. Chapter 3 covers the basic
do it), and the game continues.
elements of a D&D adventure, and chapter 4 helps you
Sometimes mediating the rules means setting limits.
create memorable NPCs. Chapter 5 presents guidelines
If a player tells you, "I want to run up and attack the
and advice for running adventures set in dungeons,
ore," but the character doesn't have enough movement
the wilderness, and other locales, and chapter 6 covers
to reach the ore, you say, "It's too far away to move up
the time between adventures. Chapter 7 is all about
and still attack. What would you like to do instead?"
treasure, magic items, and special rewards that help
The player takes the information and comes up with a
keep the players invested in your campaign.
different plan.
To referee the rules, you need to know them. You don't
PART 3: MASTER OF RULES
have to memorize this book or the Player's Handbook,
DUNGEONS & DRAGONS isn't a head-to-head competition, but you should have a clear idea of their contents so that,
but it needs someone who is impartial yet involved in the when a situation requires a ruling, you know where to
game to guarantee that everyone at the table plays by the find the proper reference.
rules. As the player who creates the game world and the The Player's Handbook contains the main rules you
adventures that take place within it, the DM is a natural need to play the game. Part 3 of this book offers a wealth
fit to take on the referee role. · of information to help you adjudicate the rules in a wide
As a referee, the DM acts as a mediator between the variety of situations. Chapter 8 presents advice for using
rules and the players. A player tells the DM what he or attack rolls, ability checks, and saving throws. It also
she wants to do, and the DM determines whether it is includes options appropriate for certain play styles and
successful or not, in some cases asking the player to campaigns, including guidelines for using miniatures,
make a die roll to determine success. For example, if a a system for handling chase scenes, and rules for
player wants his or her character to take a swing at an madness. If you like to create your own stuff, such
ore, you say, "Make an attack roll" while looking up the as new monsters, races, and character backgrounds,
ore's Armor Class. chapter 9 shows you how. That chapter also contains
The rules don't account for every possible situation optional rules for unusual situations or play styles, such
that might arise during a typical D&D session. For as the use of firearms in a fantasy setting.
INTRODUCTION
5
KNow YouR PLAYERS FIGHTING
The success of a D&D game hinges on your ability to Players who enjoy fantasy combat like kicking the
entertain the other players at the game table. Whereas tar out of villains and monsters. They look for any
their role is to create characters (the protagonists of excuse to start a fight, favoring bold action over careful
the campaign), breathe life into them, and help steer deliberation.
the campaign through their characters' actions, your
Engage players who like fighting by ...
role is to keep the players (and yourself) interested and
• springing unexpected combat encounters on them.
immersed in the world you've created, and to let their
vividly describing the havoc their characters wreak
characters do awesome things.
with their attacks and spells.
Knowing what your players enjoy most about the
including combat encounters with large numbers of
D&D game helps you create and run adventures that
weak monsters.
they will enjoy and remember. Once you know which of
• interrupting social interaction and exploration
the following activities each player in your group enjoys
with combat.
the most, you can tailor adventures that satisfy your
players' preferences as much as possible, thus keeping OPTIMIZING
them engaged.
Players who enjoy optimizing their characters'
ACTING capabilities like to fine-tune their characters for peak
combat performance by gaining levels, new features,
Players who enjoy acting like getting into character
and magic items. They welcome any opportunity to
and speaking in their characters' voices. Roleplayers
demonstrate their characters' superiority.
at heart, they enjoy social interactions with NPCs,
Engage players who like optimization by ...
monsters, and their fellow party members.
ensuring steady access to new abilities and spells.
Engage players who like acting by ...
• using desired magic items as adventure hooks.
giving them opportunities to develop their characters'
including encounters that let their characters shine.
personalities and backgrounds.
providing quantifiable rewards, like experience points,
• allowing them to interact regularly with NPCs.
for noncombat encounters.
adding roleplaying elements to combat encounters.
incorporating elements from their characters' back PROBLEM SOLVING
grounds into your adventures.
Players who want to solve problems like to scrutinize
ExPLORING NPC motivations, untangle a villain's machinations,
solve puzzles, and come up with plans.
Players who desire exploration want to experience the
Engage players who like to solve problems by ...
wonders that a fantasy world has to offer. They want to
• including encounters that emphasize problem-solving.
know what's around the next corner or hill. They also
rewarding planning and tactics with in-game benefits.
like to find hidden clues and treasure.
• occasionally allowing a smart plan to grant an easy
Engage players who like exploration by ...
win for the players.
dropping clues that hint at things yet to come.
creating NPCs with complex motives.
letting them find things when they take the time
to explore. STORYTELLING
providing rich descriptions of exciting environments,
Players who love storytelling want to contribute to a
and using interesting maps and props.
narrative. They like it when their characters are heavily
• giving monsters secrets to uncover or cultural
invested in an unfolding story, and they enjoy encounters
details to learn.
that are tied to and expand an overarching plot.
INSTIGATING Engage players who like storytelling by ...
using their characters' backgrounds to help shape the
Player's who like to instigate action are eager to make
stories of the campaign.
things happen, even if that means taking perilqus risks.
• making sure an encounter advances the story
They would rather rush headlong into danger and face
in some way.
the consequences than face boredom.
• making their characters' actions help steer
Engage players who like to instigate by ...
future events.
allowing them to affect their surroundings.
giving NPCs ideals, bonds, and flaws that the adven
• including things in your adventures to tempt them.
turers can exploit.
letting their actions put the characters in a tight spot.
including encounters with NPCs who are as feisty and
unpredictable as they are.
INTRODUCTTON
PART1
Master of Worlds
• •
•
•
•

OUR WORLD IS THE SETTING FOR YOUR CAMPAIGN, they compete with each other for power. Some seek to
the place where adventures happen. Even preserve the world and usher in a golden age. Others
if you use an existing setting, such as the strive toward evil ends, seeking to rule the world with
Forgotten Realms, it becomes yours as you an iron fist. Still others seek goals that range from
set your adventures there, create characters the practical to the esoteric, such as the accumulation
to inhabit it, and make changes to it over of material wealth or the resurrection of a dead god.
the course of your campaign. This chapter is all about Whatever their goals, these factions inevitably collide,
building your world and then creating a campaign to creating conflict that can steer the world's fate.
take place in it. The World Is Magical. Practitioners of magic are
relatively few in number, but they leave evidence of
THE BIG PICTURE their craft everywhere. The magic can be as innocuous
and commonplace as a potion that heals wounds to
This book, the Player's Handbook, and the Monster
something much more rare and impressive, such as a
Manual present the default assumptions for how the
levitating tower or a stone golem guarding the gates
worlds of D&D work. Among the established settings of
of a city. Beyond the realms of civilization are caches
D&D, the Forgotten Realms, Greyhawk, Dragonlance,
of magic items guarded by magic traps, as well as
and Mystara don't stray very far from those
magically constructed dungeons inhabited by monsters
assumptions. Settings such as Dark Sun, Eberron,
created by magic, cursed by magic, or endowed with
Raven loft, Spelljammer, and Planescape venture further
magical abilities.
away from that baseline. As you create your own world,
it's up to you to decide where on the spectrum you want IT's YouR WoRLD ________
your world to fall.
In creating your campaign world, it helps to start with
CoRE AssuMPTIONS _______ the core assumptions and consider how your setting
might change them. The subsequent sections of this
The rules of the game are based on the following core
chapter address each element and give details on how to
assumptions about the game world.
flesh out your world with gods, factions, and so forth.
Gods Oversee the World. The gods are real and
The assumptions sketched out above aren't carved
embody a variety of beliefs, with each god claiming
in stone. They inspire exciting D&D worlds full of
dominion over an aspect of the world, such as war,
adventure, but they're not the only set of assumptions
forests, or the sea. Gods exert influence over the world
that can do so. You can build an interesting campaign
by granting divine magic to their followers and sending
concept by altering one or more of those core
signs and portents to guide them. The follower of a god
assumptions, just as well-established D&D worlds have
serves as an agent of that god in the world. The agent
done. Ask yourself, "What if the standard assumptions
seeks to further the ideals of that god and defeat its
weren't true in my world?"
rivals. While some folk might refuse to honor the gods,
The World Is a Mundane Place. What if magic is rare
none can deny their existence.
and dangerous, and even adventurers have limited or no
Much of the World Is Untamed. Wild regions
access to it? What if your campaign is set in a version of
abound. City-states, confederacies, and kingdoms
our own world's history?
of various sizes dot the Ia ndscape, but beyond their
The World Is New. What if your world is new, and
borders the wilds crowd in. People know the area they
the characters are the first of a long line of heroes?
live in well. They've heard stories of other places from
The adventurers might be champions of the first
merchants and travelers, but few know what lies beyond
great empires, such as the empires of Netheril and
the mountains or in the depths of the great forest unless
Cormanthor in the Forgotten Realms setting.
they've been there themselves.
The World Is Known. What if the world is completely
The World Is Ancient. Empires rise and fall, leaving
charted and mapped, right down to the "Here there be
few places that have not been touched by imperial
dragons" notations? What if great empires cover huge
grandeur or decay. War, time, and natural forces
stretches of countryside, with clearly defined borders
eventually claim the mortal world, leaving it rich with
between them? The Five Nations of the Eberron setting
places of adventure and mystery. Ancient civilizations
were once part of a great empire, and magically aided
and their knowledge survive in legends, magic
travel between its cities is commonplace.
items, and their ruins. Chaos and evil often follow an
Monsters Are Uncommo"n. What if monsters are
empire's collapse.
rare and terrifying? In the Ravenloft setting, horrific
Conflict Shapes the World's History. Powerful
domains are governed by monstrous rulers. The
individuals strive to make their mark on the world, and
populace lives in perpetual terror of these darklords
factions of like-minded individuals can alter the course
and their evil minions, but other monsters rarely trouble
of history. Factions include religions led by charismatic
people's daily lives.
prophets, kingdoms ruled by lasting dynasties, and
Magic Is Everywhere. What if every town is ruled
shadowy societies that seek to master long-lost magic.
by a powerful wizard? What if magic item shops are
The influence of such factions waxes and wanes as
common? The Eberron setting makes the use of magic
CHAPTER 1 \A WORLD OF YOUR OWN
9
an everyday occurrence, as magical flying ships and calls clerics and paladins to his service and encourages
trains carry travelers from one great city to another. them to spread the ideals of honorable warfare,
Gods Inhabit the Land, or Are Entirely Absent. chivalry, and justice in society. Even in the midst of his
What if the gods regularly walk the earth? What if the everlasting war with his brother Hextor, god of war and
characters can challenge them and seize their power? tyranny, Heironeous promotes his own portfolio: war
Or what if the gods are remote, and even angels never fought nobly and in the cause of justice.
make contact with mortals? In the Dark Sun setting, the People in most D&D worlds are polytheistic, honoring
gods are extremely distant-perhaps nonexistent-and deities of their own and acknowledging pantheons of
clerics rely instead on elemental power for their magic. other cultures. Individuals pay homage to various gods,
regardless of alignment. In the Forgotten Realms, a
Gons OF YouR WoRLD person might propitiate Umberlee before setting out
to sea, join a communal feast to celebrate Chauntea at
Appendix B of the Player's Handbook presents a
harvest time, and pray to Malar before going hunting.
number of pantheons (loose groupings of deities not
Some individuals feel a calling to a particular deity's
united by a single doctrine or philosophy) for use in your
service and claim that god as a patron. Particularly
game, including the gods of established D&D worlds
devoted individuals become priests by setting up a
and fantasy-historical pantheons. You can adopt one of
shrine or helping to staff a holy site. Much more rarely,
these pantheons for your campaign, or pick and choose
those who feel such a calling become clerics or paladins
deities and ideas from them as you please. See "A
invested with the responsibility of true divine power.
Sample Pantheon" in this section for an example.
Shrines and temples serve as community gathering
As far as the game's rules are concerned, it doesn't
points for religious rites and festivals. Priests at such
matter if your world has hundreds of deities or a church
sites relate stories of the gods, teach the ethics of their
devoted to a single god. In rules terms, clerics choose
patron deities, offer advice and blessings, perform
domains, not deities, so your world can associate
religious rites, and provide training in activities their
domains with deities in any way you choose.
deities favor. Cities and large towns can host several
temples dedicated to individual gods important to the
LOOSE PANTHEONS
community, while smaller settlements might have a
Most D&D worlds have a loose pantheon of gods. single shrine devoted to any gods the locals revere.
A multitude of deities rule the various aspects of To quickly build a pantheon for your world, crea~e
existence, variously cooperating with and competing a single god for each of the eight domains available
against one another to administer the affairs of the to clerics: Death, Knowledge, Life, Light, Nature,
universe. People gather in public shrines to worship Tempest, Trickery, and War. You can invent names
gods of life and wisdom, or meet in hidden places to and personalities for these deities, or borrow deities
venerate gods of deception or destruction. from other pantheons. This approach gives you a small
Each deity in a pantheon has a portfolio and is pantheon that covers the most significant aspects of
responsible for advancing that portfolio. In the existence, and it's easy enough to extrapolate other
Greyhawk setting, Heironeous is a god of valor who areas of life each deity controls. The god of Knowledge,
DAWN WAR DEITIES
Deity Alignment Suggested Domains Symbol
Asmodeus, god of tyranny LE Trickery Three triangles in tight formation
Avandra, goddess of change and luck CG Trickery Three stacked wavy lines
Bahamut, god of justice and nobility LG Life, War Dragon's head, in profile, facing left
Bane, god of war and conquest LE War Claw with three talons pointing down
Corellon, god of magic and the arts CG Light Eight-pointed star
Erath is, goddess of civilization and invention LN Knowledge Upper half of a clockwork gear
Gruumsh, god of destruction CE Tempest, War Triangular eye with bony protrusions
loun, goddess of knowledge N Knowledge Crook shaped like a stylized eye
Kord, god of strength and storms CN Tempest Sword with a lightning bolt cross guard
Lolth, goddess of spiders and lies CE Trickery Eight· pointed star with a web motif
Melora, goddess of wilderness and the sea N Nature, Tempest Wavelike swirl
Moradin, god of creation LG Knowledge, War Flaming anvil
Pel or, god of the sun and agriculture NG Life, Light Circle with six outwardly radiating points
Raven Queen, goddess of death LN Life, Death Raven's head, in profile, facing left
Sehanine, goddess of the moon CG Trickery Crescent moon
Tharizdun, god of madness CE Trickery Jagged counter-clockwise spiral
Tiamat, goddess of wealth, greed, and vengeance LE Trickery, War Five-pointed star with curved points
Torog, god of the Underdark NE Death T attached to a circular shackle
Vecna, god of evil secrets NE Death, Knowledge Partially shattered one-eyed skull
Zehir, god of darkness and poison CE Trickery, Death Snake in the shape of a dagger
CHAPTER I I A WORLD Of YOUR OWN
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